Marcello Mercado

Hibridez y creación: Cine/ Video/ Digital

2011-08-12T15:56:00.000+02:00

Hibridez y creación: Cine/ Video/ Digital
Programación: Jorge La Ferla

Obras de:
Nam June Paik
Shigeko Kubota
Stan VanDerBeek
Woody Vasulka
David Larcher
Marcello Mercado
Daniel Reeves
Pat O'Neill

Sábado 20 de agosto - 18.30hs
Sábado 27 de agosto - 18.30hs
Sábado 3 de septiembre - 18.30hs
Sábado 10 de septiembre - 18.30hs

http://www.espacioft.org.ar/ExtensionVerHibridezCreacionProg.asp

Espacio Fundación Telefónica
Arenales 1540
Buenos Aires
ARGENTINA
http://www.espacioft.org.ar/

Live streamings from Dolmens

2011-07-04T18:09:00.000+02:00

Live streamings from Dolmens

by Marcello Mercado
DNA-performance-installation- soundart
(LIVE) 19/06/11 14:17 PM

Place: Flintinge, Dinamarca
Dolmen2: 54° 44´23.99” N 11° 47´23.36” E elev. 4m

Antenne aus dem Hause Goethe Series 11

2011-06-26T03:15:00.005+02:00

Antenne aus dem Hause Goethe Series 11:  

40 Years of Video Art: Record>Again!

Antenne aus dem Hause Goethe is a cultural discussion platform created by

the Goethe Institute and Ullens Center for contemporary art.

40 Years of Video Art: Record>Again!: About the Artists

05.07.11, 16:00 – 18:00
Ullens Center for contemporary art Auditorium

Curators:  

German Curators：Peter Webel, Christoph Blase  

Chinese Curator： Li Zhenhua 

Partner :Goethe Institute

China  Special Support: Experimental Art Department of CAFA 

Languages German with Chinese translation  

Free entry 

Ullens Center for contemporary art
798 Art District, No. 4 Jiuxianqiao Lu,
Chaoyang District,
Beijing, China 100015

Tel: +86 10 8459 9269 / 8459 9387 Fax: +86 10 5780 0220

laboratory art beijing | 北京艺术实验室

a platform for sharing and building constructive ideas

http://www.bjartlab.com/read.php?281

Issuu: 40 Years of Video Art: Record>Again

http://issuu.com/bjartlab/docs/video40

2011年5月6日
歌德学院北京分院荣誉贡献
@中央美术学院美术馆

2011年5月7日
歌德学院北京分院荣誉贡献
@ucca

特别放映计划 Special Screening Program

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“天线•歌德版”是北京德国文化中心•歌德学院（中国）与尤伦斯当代艺术中心携手打造的中德文化深度讨论的平台。我们接收新信息，发散新内容，涉及内容领域包括科学技术、历史文学、艺术及媒体等各方面。

德国录像艺术40年II 在联邦文化基金会推动的下，由卡尔斯鲁厄的艺术和媒体技术中心，亚琛的路德维希论坛，德雷斯顿艺术馆、奥尔登堡的伊迪丝?罗斯媒体艺术馆联合策划完成。

2009年7月德国录像艺术40年II在德国展出。自 2010 年起，歌德学院推出了由6个DVD合集组成，收录了超过50部艺术作品的“德国录像艺术40年II”巡展版，其中大部份作品出自20世纪70年代和80年代，也有部份当代作品。

2011 年北京德国文化中心•歌德学院（中国）聘请自由策展人李振华，结合录像艺术在中国的情况，在UCCA和中央美术学院美术馆，完成该系列在北京的展出。同时策划与展览相关的专业论坛。德方策展人 Christoph Blase 也会出席展览及论坛。本期在UCCA的讲座，我们将请到中德策展人李振华与Christoph,艺术家武权，导演宁瀛及来自中央美术学院的乔加与我们共同分享与讨论录像和新媒体艺术。

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中方策划人李振华叙述：

2010 年10月的时候，我曾经和来自德雷斯顿的女馆长（克里斯蒂娜?梅尼科-施瓦茨）有一个放映、对谈的项目，这个项目旨在从中德不同文化领域、地缘发展的录像艺术做一个对应，她很认真的介绍了不同类型的艺术家的作品。我当时放映的就是两个阶段策划的中国录像艺术系列，虽然不能完全对应德国艺术家的年代和类型，但是就专有的针对单屏影像作品的线索，还是有所探寻。

2011年朱子娟和歌德学院再次邀请我主持这一项目，因为有了之前的放映的讨论，此次除了放映，还有特邀的Christoph Blase的讲座之外，就是邀请来自不同领域的中国艺术家、策划人，与放映、讲座之外进行互动。

第一个部分旨在展示中国现场音视频艺术的一个侧面，邀请武权、杨韬进行30分众的演示，两个人分别来自不同的文化背景和现场领域，武权是FM3、窦唯等人的合作伙伴，经常与实验、电子、环境等领域的音乐家一道表演，他的工作多涉及转换日常、公共审美趣味。杨韬的工作更趋向于算法和虚拟空间的抽象领域，同样基于音视频领域，他们两人将带来一个延续影像、现场、即兴的项目。

第二个部分旨在还原和探索影像与城市的关联，首播宁瀛的短片作为这个项目的开端。宁瀛之前的北京三部曲《找乐》、《警察故事》、《我爱北京》（夏日暖洋洋），除了影像展示的剧情中人物的喜怒哀乐，还有就是对这20年来北京城市发展、文化变迁的影像临摹。这一部分可以被看作是影像之外的延伸，是镜头中折射出的潜藏在导演、艺术家内心的倾向和愿望。

第三个部分旨在复原第一个录像艺术展览《影像?现象》，特约邱志杰进行深度的讨论，同时回放1996年第一个录像展览的资料和作品。这可以被看作是对应来自文献整理、保藏、研究这一领域的工作。邱志杰是一名重要的推动影像艺术、数码艺术、互动艺术在中国的艺术家、实践者、教育者、作家和策划人。

第四个部分是介绍来自中央美术学院乔加女士针对新媒体教育的工作，乔加曾经就读于ZKM，后出版一本关于ZKM的书。她的工作也许可以为我们理解 ZKM这一机构，以及当代新媒体教育在中国的情况，互为关联和参照。也可以被看作是接续了来自中德两个国家，这一媒材领域的交汇。也是对这一领域成长和发展最好的说明。

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关于德国艺术家及作品（简要说明，以德文原文为准）
注：此介绍为展览的艺术家和作品，在这个项目中并不全部播放。

Michaela Buescher和Gerd Conradt
1985 年，Michaela Buescher与Gerd Conradt一起拍摄了一部关于德国二十世纪六十年代学生运动领袖Gretchen Dutschke-Klotz 的纪录片。Gretchen在片中讲述了她的童年以及她在欧洲的生活。23年之后，这些过时的素材第一次与Gretchen和她已经长大的三个孩子见面，他们在观看中的种种反应都被摄影机记录了下来。作品（放映装置）由5个带基座的屏幕组成，其中4个屏幕分别展示三个已经长大的孩子以及母亲的画面，另外一个较大的、正对其他屏幕摆放的屏幕放映那一次历史性的采访。

Joseph Beuys
1972年10月8号，documenta 5（第五届卡塞尔文献展）以一场骚动拉上帷幕：Joseph Beuys这位世界知名的艺术家，以当时51岁的年龄与比他小30岁的学生Abraham David Christian进行了一场拳击比赛。这场战斗在文献展的主展厅Fridericianum艺术馆展开，共进行了3轮，耗时将近10分钟。当时，人们并不知道这次行为表演是艺术作品。Beuys更希望借此能让人们记住他已经在文献展上宣传了100天的“通过全民公决实现直接民主组织”，能够再次引起人们的关注。于是，这场拳击赛就变成了一次带有娱乐性质的政治宣言。

Michael Bielicky和Ricardo Peredo
众所周知，艺术作品会被载入史册常常是它与某项轰动一时的事件有所关联，甚至可能引发了无法预料的后果。当这一类轰动事件在日后又为新的创作注入动力时，就变得特别有趣了。Michael Bielicky和Ricardo Peredo在1987年联合摄制的作品《Die Fettecke》就是这样。短片以纪录的方式报导了Joseph Beuys在杜塞尔多夫学院安装的著名作品“Fettecke”的拆卸过程：Beuys同时代的入在其中的发言被加以剪切和交叠镜头，使其看起来仿佛是一部艺术制作。

Claus Böhmler
1974年用《Wir malen mit dem Rot des Kohls》（《我们用红卷心菜画红色》）创造了一种视觉诗歌和互动艺术作品的融合。在表达关于语言、颜色和材料的主题时，水果和蔬菜种类作为发现点服务于艺术家。在作品中也常常出现对于影像媒介的批评，当观众发出“快去把你的电视机的蓝色调高”这种指令时，批评达到了高潮。不仅是语言突然可以解释颜色，当时彩色电视的技术也很明显地能让观众去阐释他们的色彩。

Klaus vom Bruch
《Die Entführung eines Kunsthändlers ist keine Utopie mehr》（《绑架一个艺术品商人不再是乌托邦》）。单是这个题目就已经将Klaus vom Bruch的用意表露无遗。观看这部1975年的短片简直就是体验一部惊悚片。著名电影《The Pink Panther》（《粉红豹》）的原声音乐总是恰到好处地响起，一步步提高了影片的紧张感。观众们自然会想起间谍片：一个神秘的陌生人手持一把枪站在镜头前，除了他的武器上刻着“008”之外，我们对他一无所知⋯⋯同时，作品和字幕也都暗示了当时的历史：1975年不久前RAF绑架Peter Lorenz事件。（Red Army Faction，译注：红色旅，德国恐怖组织）

Holger Czukay
作为传奇摇滚乐队Can的组建者之一，就像是一个来自外星的人。他梦游似的操纵调节器、电话机和鼓，乐声应和着他对着麦克风发出的高声叫喊和低声沉吟。表面上来看，这部片子仅是对于1982年的回顾，但实际上，Czukay已经总结了整个20世纪的历史。他试图传达的信息如同断奏一般、冲撞着观众们。上述录音室场景持续出现在Czukay最著名的歌曲之一《Cool in the Pool》中。当然，作品不同于乐迷熟知的1980年MTV版本，而是至今尚未公开发表过的1978年的初版。

Lutz Dammbeck
1984 年的《Herakles》（赫拉克勒斯）中批判性地探讨了独裁统治体系，他说这是受到Heiner Müller的《Herakles 2 oder Die Hydra》（《赫拉克勒斯 2或者许德拉》）以及格林童话《Das eigensinnige Kind》（《固执的孩子》）的启发：拉克勒斯身上古典时期的道德美德，被法西斯艺术对恶的诠释混淆在一起。Dammbeck想通过这一组合来实现对“超人”这一理想化愿景的解构，并呈现潜在的法西斯愿望。他的作品将话题最终引向体制批判。

Klaus Peter Dencker
1970 年为巴登－巴登的西南广播电台所制作的影片《Starfighter》（“星”式战斗机）中，将“具体诗”的方法运用到影像媒体上来：他用文字游戏的方式以“Starfighter”这个词为基础创造出许多新词，并开发出新的声音效果，然后在视觉上将它们组合成字－画链。在他的画－音拼贴中，他使用故事片和广告片作为影片素材，给它们配上Mungo Jerry乐队的歌曲《Mighty Man》和来自英语课本中的语言序列、新闻和自己制作的声音素材。其中很多特效都是通过当时还很新的蓝盒子技术（虚拟演播室系统）完成的。

Flatz
FLATZ 拍摄于1981年的作品时间极短、仅有10秒钟，影像格外吸引人，只是它无穷无尽的Loop循环方式着实让人厌烦。影片中，Toni是一位慕尼黑著名的设计师，同时也是一个镇静剂药物的受害者。当观众看到他站在一堵墙前享受地吸烟，就会很快明白，Toni并不认为自己是一个受害者，与此相反，他是一个在享乐中挥霍生命的人。影片的背景香烟品牌万宝路的广告语。此片正是在当时的电视媒体上的香烟广告。

Gusztav Hámos
1983／1987 年的作品《Fiction II: Der Unbesiegbare》（《小说2：不可战胜者》），观众将与Alex Raymond所创造出来的超级英雄Flash Gordon共同经历一场冒险。影片进行中，艺术家还以特殊的方式探讨了录像与电影的关系，以及两种形式带来的不同的境遇。不同的Mise en Scène（舞台调度）——作品时而使用客观的特写镜头，时而使用主观的镜头——目的便是直接表现这种两种方式，还能引起紧张的链接效果，使整部作品在声音和画面的情节令人印象深刻。

Rudolf Herz和Ruth Toma
在制作1980年的短片《Das Haus der Kunst abtragen》（《铲平美术馆》）时，Rudolf Herz和Ruth Toma的目标是想毁掉慕尼黑美术馆——因其纳粹背景而象征性保留下来的建筑，如今是世界最著名的展览馆之一。他们很谨慎地展开行动，设法弄到建筑平面图，征求爆破专家的意见，或者研究美术馆中私人的习惯。他们的作品探索了录像这种媒介操控现实的能力：看似客观的纪录方式，带出了虚构的历史和现实。

Jochen Hiltmann
1972 年的《Werk Für Künstler》（《给艺术家的作品》）可以被看作是一部录像中的录像，它的主题是关于艺术家的角色以及他们与媒体的关系。作品营造出较为压抑甚至幽闭恐怖的气氛：拍摄于一个过于狭小的场地，所以从屏幕上看起来像是一个封闭的空间，艺术家被关在里面。唯一的出路只能是：竭力解放自己！继而这种窘况发展到了颠覆性的一幕，将荧幕（空间）砸个粉碎。它表现了一种对媒体的深度批评，并且不留任何情面地抨击了电视以至整个媒体体系。

Nan Hoover
1975 年的《Movements in Light》（《光中的运动》）是Nan Hoover的早期作品之一，也是她放弃绘画转而从事录像的标志。利用灯光和阴影效果，和听起来危险、阴沉的声音处理，人类身体的形象被当作一些已知的和熟悉的形。个别身体部位，如脸、手背或手指，几乎看不出它们本来的形状，在片尾最后的剖析中，它们将自己解放，变成了怪异的风景。在如今这个影像泛滥的时代，Hoover的作品更要求我们以不同的方式来对待：放慢观看，让目光在屏幕上慢慢地流转。

Wolf Kahlen
所有到场嘉宾的神经都高度紧张，每个人都屏住呼吸⋯⋯然后，突然一声“注意，开拍”的叫喊打破了局面。1980年2月1号，当Wolf Kahlen在东柏林的一家画廊拍摄这部作品，多次大声喊出这两个词时，与它相似的一幕肯定曾经发生过无数次。紧接着，Kahlen将镜头固定于一点，情景和影像画面通通定格，然后Ralf Winkler，艺名 A.R. Penck，便马上使用这些画面进行即时现场创作。这部录像作品不仅是对这一行为表演的纪录，而且也是一部与行为一致的佳作。

Andree Korpys和Markus Löffler
1995 年的行为艺术《Sammelstelle für Alt-Fernsehgeräte》（《旧电视机收集处》）是对媒体艺术颇具幽默的批判，后成为录像作品的源头。这次行为是在卡尔斯鲁厄 MultiMediale 4（第四届多媒体节）的背景下产生，相反讽刺了媒体艺术不断被推向博物馆化。这一行为是与其他艺术家好友有意识地作为互动雕塑在公共空间进行的，与当时通常对媒体艺术的设想和在MultiMediale 4中展出的作品相对立。

Gerd Kroske、Ulrich Wüst、Mario Persch、Uwe Baumgartner和Jürgen Kuttner
1988／1989 年的短片《Cassiber》（《密信》）是东德艺术家Gerd Kroske、Ulrich Wüst、Mario Persch、Uwe Baumgartner和Jürgen Kuttner与联邦德国－英国摇滚乐队Cassiber合作的结果。受到上述艺术家到Akademie der Künste（柏林艺术大学）录制新专辑的邀请，Cassiber来到了东柏林。一系列独一无二的音乐录影带就此产生——既是对音乐制作过程的纪录，又是天然的艺术作品。影像就像一个实现了的乌托邦片段，可能这是只能在荒谬的民主德国的社会主义的最后一个时期才有的。

Edmund Kuppel
1975 年的的短片《filmen – filmer – In 4 Minuten um die Welt》（《拍电影－电影人－4分钟环游世界》）用伪实验（Pseudo-Experiment）的方法在短短几分钟内环游地球。实验人即是艺术家本人，装扮成科学家。只见他脚步轻快地穿过一片草地，向地平线走去，直到消失在视野之外。片刻之后，人们又看到他从后方进入镜头。这个死角本来是无法用摄影机拍到的，但在一套镜子设备的辅助下完成了。一次环游世界的幻觉堪称完美。

Urs Lüthi
当时26岁的Urs Lüthi坐在摄影机前陷入梦境，看到了幻想中的远方。当José Feliciano的歌曲响起的那一秒，一只手突然从画面下方出现；保养良好的纤纤玉手和手镯让人猜测这一定是个女人。她的手轻柔地抚摸艺术家，从肩膀到下巴、脖子、脸颊、额头和头发，并温柔地触摸她周遭的客观环境。在这部摄于1973年的录像中，Lüthi消除了性别界限：视线所渴望的对象不再是女性的，而是男性。艺术史传统的女人（被动）与男人（主动）的关系被赋予了全新的处理。

Digne Meller Marcovicz
1985 年作品《Über Wilhelm Reich – Viva Kleiner Mann》（《关于Wilhelm Reich－小男人万岁》）中，Digne Meller Marcovicz编织了一张用参考材料组成的网，使修复一部自传成为可能——这位命运多舛的知名学者的一生。女艺术家在片中追寻着著名心理学家 Wilhelm Reich的足迹，并向许多与他同时代的先驱人物询问了关于他的生活和失败，其中包括他的战友和对手、亲戚、朋友以及与他合作多年的律师。所有这一切发生在Wilhelm Reich去世将近30年之后，但赶在了大家把他忘记之前，所以说，这部作品真是相当及时。

Marcello Mercado
阿根廷导演Marcello Mercado1999年来到欧洲的时候，带来了数以千计的照片和电影。它们都是从阿根廷警察局的垃圾筒里搜集而来，有关暴力犯罪的受害者的画面。从技术角度上看，这是材料非常传统，结合了现代电脑软件的图像拼贴。媒体艺术作品随之形成。就像 Karl Marx从来没有完成他的《资本论》，Mercado也一直在更改他的数码制作的、视听版的《资本论》——直至今天仍在继续。不存在最终结论，只留下片段。《资本论》一直在随着时间流逝，但是至少我们能够感知它的现在。

Ernst Mitzka
Valeska Gert（1892－1978）从1920年起便是一名著名的、但非传统的舞蹈家和演员。她的表演已经预先体现出许多60年代艺术的本质特点。1969年 Ernst Mitzka成功说服她，在摄影机前表演两个段落。Valeska Gert面对镜头，在短短几分钟时间里，她的脸上清晰地倒映出人生的开始和结束：出生和死亡。然而，这部短片在当时从未放映过。直到拍摄后大约40年的今天才又再次出现，并被修复。

Michael Morgner
在观看电影《M. überschreitet den See bei Gallenthin》（《M穿越Gallenthin湖》）时，观众变成了目击者，参与它这种颠覆性的、充满政治火药味的表达方式：你将看到的是民主德国最初期的电影表演之一，即Michael Morgner于1981年9月27日，在诸多嘉宾在场的情况下，如Klaus Staeck，用一台走私来的录影机拍摄的作品。影片中，Morgner趟进一个养鸭的水塘，直到只有他的头和向上伸的胳膊还在水面上为止。这个画面看起来就好像他将如一个救世主般，预言某种新事物的到来；而此时正是民主德国社会主义体制的繁荣时期。

Heike Mutter
1998 年的《Ekstase 1》（《心醉神迷1》）是关于在特别亲密兴奋时刻候对人体的探索。一个只穿三角内裤的女人被扔到一张铺了豹皮的塑料床上。她一动不动地躺在那里，直到她的手指开始抽动。抽动越来越剧烈，并传导到全身。当兴奋程度达到顶点的时候，这副被折磨过的身体渐渐恢复平静，再次保持安静状态。短片以无尽循环的方式批判了约束身体的纪律，进而批判了作为媒体的权利文本。

Michael Geissler和Susanne Ofteringer
Nico（1938－1988）这位与众不同的女歌手，是靠与The Velvet Underground（地下丝绒）乐队合作而为人熟知，两部关于她的、非常罕见的片子。第一个是录像先锋人物Michael Geissler1974年在她的演唱会中拍摄的。画面与Nico的嗓音一样，有着令人印象深刻的阴暗但又美丽的特质。
第二个是女电影人 Susanne Ofteringer1993年用她的Hi 8摄影机录制的Nico的足迹。影片以短暂的采访进入，后又展开为一种深层次的纪录。这个短片脚本最终成了Ofteringer1995年拍摄的纪录片的框架，后者于1997年获得Adolf-Grimme-Preis（阿道夫－格里姆奖）。

Marcel Odenbach和Gábor Bódy
1978 年的录像短片《Gespräche zwischen Ost und West 》（东西方对话）中批判性地将冷战时期经典东西方对话归结为：敌对的双方本来除了陈词滥调就没什么可说的，这是纯粹形式化的废话。德国人和匈牙利人只因这种机缘相遇了一次——虽然是在一个共同朋友在巴黎的住宅里。作品利用参照物反映了当时电视中常见的严肃的政治报道，同时通过极简主义，成功地表达出了他们的媒体批判观点以及政治态度。

C.O. Paeffgen
1975年，C.O. Paeffgen的作品《Umwicklungen》（包装纸）为他赢得了观众瞩目，这一组作品中包括《Hemd》（T恤）和《Kunst》（艺术）。艺术家刚刚脱下来一件T恤在片中被用作材料。它被金属线缠绕起来，成雕塑状，随后被安装在一面墙上。观众可以实时共同体验这种变形——如此普通的一个物品到艺术作品的升华。然而，行为结束时，制作过程又被撤销了：这件T恤雕塑被从墙上取下来，除去缠绕物，然后被重新穿在了身上。Paeffgen将这种 Duchamp（杜尚）式的理念在作品中做了进一步扩展。

Klaus Rinke
水和身体是Klaus Rinke70年代作品的核心元素。1971年他与Gerry Schum共同在游泳池里制作了一组录像短片。只见Rinke在水面，接着沉入水中，屏住呼吸，片刻之后再次浮出水面。在他游出泳道之前，这串动作被重复了18次，每次潜水时间越来越短，艺术家也越来越疲惫。《Inhalation》（《吸气》）的第一部分结束。第二部分则颠倒过来。我们看到Rinke头部的侧影，他抓起一个水杯，一次性喝了1升水。于是，水作为危险的根源，又成为了生命的必需。

Rosenbach Bruch
Ulrike Rosenbach越过Klaus vom Bruch的肩膀，朝一块玻璃板吐牛奶。每吐一次之后，Klaus vom Bruch都会低声耳语道：“为更好的艺术祝你好运！”整个片子有点单调。除了玻璃板上的牛奶越来越多之外，其他什么都没发生。1977年，当这部录像短片完成时，录像和行为艺术的第一个十年正接近尾声。许多身体行为和媒体批判的探讨好像已经够了。所以“为更好的艺术祝你好运！”这句话在最后一吐之后，又被大声地、以回声的方式重复了一遍，暗喻：做更好的艺术吧！

Ulrich Rückriem和Gerry Schum和Ursula Wevers
《1. Teilungen》（《1.分离》）、《2. Kreise》（《2.圆圈》）和《3. Diagonalen》（《3.斜线》）三部短片是1970／1971年Ulrich Rückriem与Gerry Schum和Ursula Wevers共同制作的。简洁的题目已经暗示了作品中所遵循的解构美学：铺张的拍摄手段被有意去除。背景是刻意简洁的图像，艺术家关注简单的情节，比如他怎样借助自己的身体画圆圈和斜线，如何折断木板。Rückriem宣称自己的目的是由此把注意力有意识地转向制作过程本身。

Reiner Ruthenbeck
科隆的新市场如Reiner Ruthenbeck的《Objekt zur teilweisen Verdeckung einer Videoszene》（《挡住画面一部分的物体》）描绘的那样嘈杂和繁忙，这部摄于1972／1974年的录像短片却有着冥思式的弦外之音。观众先是在片中看到追赶着跑过去的人或听到城市交通的噪音。在这忙碌的环境中，突然出现了一个很小的、但是很美的“安静岛”：由一个展览架子撑住的黑色的区域，被放入这喧闹与杂乱之中，或者说：“外部是繁忙，内部是绝对静止的安静。”黑色，这个场景画面的遮挡物，会是一种有潜力颠覆未来观感经验的尝试吗？

Walter Schröder-Limmer
Walter Schröder-Limmer1977/1978年的作品《Debatte》（《辩论》）以它概念性、实验性的特征，让人注意到充斥在作品中、把影像当作媒介的技术可能性。作品中涉及“Lauschaffäre Traube”（一个涉及到秘密监视的丑闻，最终导致当时的内务部长 Maihofer的被迫辞职）的新闻节目片段。借助音效设备和影像合成器，声音和图像轨迹被抽离：圆圈、椭圆和菱形，以及错用的暗色、音调的降低和暗影效果都被用到其中。这样便产生了独特的影像拼贴，部分原始素材被修饰得面目全非。

Gustav Adolf Schroeder
1980 年代初，西柏林一方面是一个得到国家高额资助、但文化氛围相当无聊的城市；另一方面，另类文化正在兴起。谁也不知道，这种文化将会走向何方。在这种混乱的局势下，1981年9月4日，在一个马戏团的帐篷里，“大毁灭表演——业余天才节”开幕了。这一活动在近代音乐史中被视为德国朋克音乐的里程碑。
Gustav Adolf Schroeder当时带了一台很老的摄影机，用黑白画面主要记录下了Einstürzenden Neubauten（倒塌的新建筑）乐队的演出。他成功地在混乱和完美的舞蹈片段之间，拍摄下深刻的、具有历史意义的画面。

HA Schult
1978 年中有14天的时间，HA Schult几乎每天都用一辆客车载着他的观众们，驶向不同的目的地。其中一个地点是“媒体屋”，这是杜伊斯堡的一座五口之家的住宅，到处扯满了电线。 HA Schult在屋前的小花园里设置了9台电视，分别与屋内的摄像机相连。每个房间都安装了摄像机，实时将屋内一家人的全部日常生活转播给在花园里的每一个人。Schult当时评论道：“这是一所内部包裹住外部的房子。”但他肯定没有预料到，他的理念在20年之后会衍生出 “Big brother”这类电视真人秀节目。

Gerry Schum
1972年，这是他去世前一年，录像艺术收藏家Gerry Schum在访谈中谈到了录像艺术的乐观前景，以及市场化即将到来的可能性。他比较了“视频”和画布这两种媒介，并解释说，如绘画一样，视频也允许对创作出的东西迅速进行控制处理。对于他来说，录像不是一项技术或者一种纪录，而是一种独立的艺术形式。他提到了如Rinke和Rückriem这样的与他合作过的艺术家，但这两个人在Schum去世之后便远离了录像这一媒介。这恰恰证明了，Schum在德国扮演着怎样一种孤寂的角色，也许他所下的论断是正确的 ——但只适用于他生前的时代。

Wolfgang Stoerchle
Wolfgang Stoerchle（1944－1976）16岁便随父母移民美国北部，虽然他在欧洲几乎没有一点名气，但在美国却属于上世纪70年代最重要的录像艺术先锋。他保留下来的作品有唯一一部名为《Selected Videos 1970–1972》（《1970年－1972年录像短片选》）的作品集和13部录像作品。其中一部拍摄的是Stoerchle本人，他穿过一个黑暗的大厅，脚步声在室内回响。手电筒灯光随着他的步伐晃动，这是整个场景内唯一的照明。走到大厅的尽头后，他转过身，走回到摄影机前。在手电筒的灯光中，他的脸变得越来越清晰，直到最后看起来像是被吸进了镜头中。

Telewissen
1971年12月，达姆施塔特的步行街上停着一辆宝马汽车，它的后挡板敞开着，所以行人能从窗子往里看。令他们吃惊的是，他们看到的竟是自己，这在当时是一件非常不寻常的事。2007年，以Herbert Schuhmacher为核心的Telewissen小组再一次温顾了这一特征。同之前一样，他们用现代化设备将当今观众们的反应记录了下来。于是，原始素材、新的摄制内容和布置展览的影像组成了一部纪录片，不仅展现了当年的作品，而且还包括了大约40年之后的公众们“镜头前举止”的变化。

Ulay
Ulay原名Frank Uwe Laysiepen，1943年出生于在索林根。他在1975年用影像记录下了他最初的一次“照片处理”表演。房间很昏暗，红色的灯光提供照明，画面上能隐隐约约地分辨出站在照片幕前的那个女人。突然之间，闪光灯亮了一下。房间被瞬间照成了白色。Ulay一身白衣出现，在画上涂抹显影剂。渐渐地，女人的阴影显现出白色的轮廓，其他部分仍然是黑的。在一段时间内，这个白色的轮廓区域与Ulay的身形极为相符，就像他消失在了刚刚创作出的图像里。

UTV
UTV（Unser Fernsehsender）(我们的电视台)是1995年由Hans-Christian Dany、Stephan Dillemuth和Joseph Zehrer一起在科隆成立的、与商业电视台相对的另类媒体小组，作品以VHS（家用录像系统）录像带的形式出售。围绕着“Arbeit und 1. Mai 1996”（工作和1996年5月1日）主题，观众们在《Wochenschau I 》（《一周纵览1》）节目中领略当前最为吸引人、而且突然的综合信息。电视新闻与剧情片的场景互相交替，街头采访与陶土人偶动画片交错出现，短片从策划好的小型纵火事件到巴黎索邦大学的课堂讨论，再到Hip Hop和Rap，最后所有这一切被安排在一个大派对中展出。很显然，这是永远不会在电视台播出的电视节目。

Franz Erhard Walther
10 米长的布料上有30个口袋。Franz Erhard Walther会往每一个口袋里钻进去几秒钟。一开始的时候，他手里还拿着一块表，后来就没有了。艺术作品的时间已经被设定好。Walter在展览之后与观众的谈话中解释，他只是建议了“一种可能的使用框架”。这部纪录短片是1972年7月5日在documenta 5（第五届文献展）上拍摄的。Walter当时展示了他如今世界著名的作品《1. Werksatz 》（《1.模板》）。为了给参观者演示他的作品，每两周都去一次卡塞尔。最后他还是认为：“我所讲解的还是远远不够的。”他讲解得简单明了，但也许只是太超前了。

Peter Weibel
1969年4月，“Multi Media I”（多媒体一）展览在维也纳的Junge Generation（“丛林一代”）画廊拉开帷幕，这是欧洲最早的媒体艺术活动之一，同时也是最早将公众观看短片拍摄下来再次展出的行为艺术。 Peter Weibel站在入口处，与摄影机前的参观者讨论关于展览的话题，而且谈话实时在显示器上播放。一方面，这就是《Das Publikum als Exponat》（《公众作为展品》）的组成部分，但另一方面正如他在其中的一次谈话中提到的，这也是“实验之夜”的第一个批评者。大家都在控制着自我，在摄像机前隐藏自己的意见。

Ursula Wever
Ursula Wever1979年的短片《Horizontales/Vertikales Springen》（《横向／纵向跳跃》）让人回忆起体育课或者运动场上的午后时光：只见一个人的臀部在蹦床上跳跃。横向一次，竖向一次，有节奏地出现在由两个并排摆在一起的屏幕所组成的画面中。表演发生在惯常的白色空间中，使得画面在理念上十分切合白立方（white cube）的概念。短片不仅进行了类型实验，如平面／空间和画面／雕塑，而且还探讨了新的艺术表达和说明形式。

Wiersbinski
画面中出现这样一幕：不知是一位美术馆馆长或者一名艺术家正挥舞着鞭子，驱赶着一群收藏家穿过不断坍塌的大厅。镜头飞快地从一件模糊的艺术品转到另一件。画面晃动不止，声音也是快进式的。只看画面，观众几乎什么也明白不了，幸好通过字幕，你会经常读到“Isn't it Leipziger Schule?”（这不是莱比锡学派吗？）因为如果不是的话，就一点收藏价值也没有了。无论中间穿插多少类似“You have to communicate with the art work!”（你得跟艺术作品交流！）这类关于艺术环境的夸夸其谈，他们到最后总要回到这个问题：“How much does it cost?”（这个多少钱？）艺术品市场装腔作势的特点已经尽显无遗。

40jahrevideokunst.de - Teil 2

2011-06-26T02:09:00.001+02:00

40jahrevideokunst.de - Teil 2

05.07.2011

Iberia Center for contemporary art
E06, 798 Art Zone, No.4 Jiuxianqiao Road,
Chaoyang District, 100015
Beijing, China
Phone +86 (0)10 59789531
Fax +86 (0)10 59789537
Email info@iberiart.org

Deutsches Kulturzentrum Peking - Goethe-Institut China

Das Projekt »RECORD > AGAIN! stellt nach dem Vorgängerprojekt

"40jahrevideokunst.de – Teil 1" mehr als 50 Videoarbeiten aus den

letzten 40 Jahren vor, die exemplarisch die Vielfalt der deutschen

Videoszene und ihre Entwicklung widerspiegeln. Es handelt sich um

eine Tourneeausstellung des Goethe-Instituts, konzipiert vom

Zentrum für Kunst und Medientechnologie in Karlsruhe.

“RECORD>AGAIN!”作为“德国录像艺术40年”项目的第二部分，

致力于呈现德国录像艺术从上世纪六、七十年代发端以以来、

直至二十一世纪前半叶的发展全貌。

其中有不少作品在过去的几十年间很难为公众接触到，

而这次展览将提供一个难得的机会。ZKM的老式录像系统实验室

(laboratory for Antiquated Video System）经过艰难的工作，

修复了大部分陈旧的录像带，使它们可以再度被播放。

Forum: „Record again!“ 40 Jahre Videokunst II: Beijing Rundschau, 04-05-2011

New Automata

2011-06-17T04:24:00.000+02:00

New Automata
By Marcello Mercado

This video was inspired by the Hasse Diagram for a propositional

calculus for three automatons and the article: "Is the world a machine?"

by K. Svozil.

Drawings and Animation by Marcello Mercado
Music by Marcello Mercado
Edition by Marcello Mercado
2011

Ooops! Enter text - Videoart

2011-06-17T04:21:00.000+02:00

Ooops! Enter text
By Marcello Mercado

Interface-Performance.
Running time: 5min. 52"
Animation by Marcello Mercado
Music by Marcello Mercado
Edition by Marcello Mercado
2011

17th International Contemporary Art Festival SESC_Videobrasil

2011-06-15T00:33:00.000+02:00

17th International Contemporary Art Festival SESC_Videobrasil

September through December 2011
SESC Belenzinho | SESC Pompeia | State Art Gallery
São Paulo, SP, Brazil

The 17th International Festival of Contemporary Art SESC_Videobrasil announces the artists selected for the Southern Panoramas show

Akram Zaatari, Galina Myznikova and Sergey Provorov, Gregg Smith, Marcello Mercado, Sebastian Diaz Morales, Shaun Gladwell, Cinthia Marcelle, Eder Santos, Gisela Motta and Leandro Lima, Jonathas de Andrade, Marcellvs L. and Tatiana Blass are among the 98 artists selected for the Southern Panoramas show at the 17th International Festival of Contemporary Art SESC_Videobrasil. Dispensing for the first time with restrictions on eligible forms of artistic manifestation, the show opens on September 30 in São Paulo.

Featuring video, performances, installations, objects, publications, paintings, photography and other artistic forms, Southern Panoramas maps the full extent of contemporary production throughout the geopolitical south—Latin America, Africa, Eastern Europe, the Middle East and Asia. According to the general curator, Solange Farkas, the Festival aims to create a key role for artistic output from its target geopolitical axis.

Southern Panoramas will confer a cash prize and eight residency prizes for locations in Brazil and abroad.

This edition's participants were chosen from the 1,295 submissions by an assessment panel formed by the curators Fernando Oliva and Marcio Harum and the artist Felipe Cohen. The number of submissions was the highest ever received by the Festival, with greater Eastern European, Asian and Middle Eastern presence than at earlier editions.

"The number of submissions has grown with each edition," says Solange Farkas. "What is most extraordinary is the growth in languages and the representation of regions from the South, which really allows us to draw a panorama of contemporary production across the axis."

In addition to the competitive show, the 17th SESC_Videobrasil International Contemporary Art Festival will present Your Body of Work, the first individual exhibition by the Danish artist Olafur Eliasson to be held in Latin America.

The Festival is a joint production by SESC (www.sescsp.org.br) and Associação Cultural Videobrasil (www.videobrasil.org.br) and will be held from September 2011 through to January 2012 at SESC Pompeia, SESC Belenzinho and the Pinacoteca do Estado, in São Paulo.

An Interview to Marcello Mercado by Gizem Karalar

2011-06-14T10:40:00.017+02:00

An online interview to Marcello Mercado by Gizem Karalar

Zufälle und Fehler XXXVI, 2007
Lack und Öl auf Papier,
30cm x 40cm / 11.8 inches x 15.7 inches

Filme, Video e Arte: Compartilhando Experiências

2011-05-25T18:10:00.002+02:00

25/05/2011 - 29/05/2011

Filme, Video e Arte: Compartilhando Experiências

Itaú Cultural

Avenida Paulista 149 - Paraíso

São Paulo, Brasil

http://www.itaucultural.org.br/

De 25 a 29 de maio, o Itaú Cultural realiza o seminário Filme, Vídeo e Arte: Compartilhando Experiências, trazendo representantes de oito dos mais importantes acervos de arte contemporânea ao redor do mundo, além dos já citados: os estrangeiros MAMBA (Museu de Arte Moderna de Buenos Aires), o curador independente Christopher Eamon (EUA), e, do Brasil, os representantes de Inhotim (MG) e da Galeria Vermelho (SP).

As mesas de debate são acompanhadas, ainda, por uma programação, que exibe filmes e vídeos da coleção do MAMBA, do acervo da Electronic Arts Intremix, líder internacional como fonte de videoarte e artes midiáticas, e de uma das mais tradicionais coleções de obras de arte contemporânea, iniciada em 1982 pelo casal parisiense Jean-Conrad e Isabelle Lemaitre que lhe dá nome.

Ambos os eventos embalam a apresentação do recém-iniciado acervo de filmes e vídeos do instituto, que conta com sete obras de artistas brasileiros. Primeira coleção de obras audiovisuais inteiramente brasileira, ela é composta por obras Eder Santos, Rivane Neuchwander, Cao Guimarães, Sara Ramo, Brígida Baltar, Anna Bella Geiger e Letícia Parente.

“Nas duas últimas décadas, o cinema e o vídeo têm estado cada vez mais presentes nas exposições internacionais de arte”, observa Roberto Cruz, gerente do Núcleo Audiovisual do instituto, que organiza o evento. “Grandes museus e centros culturais realizam mostras coletivas, tendo como tema central o cinema e suas relações com a produção artística contemporânea”, completa ele.

Assim, além de aproximar o público de importantes acervos nunca antes exibidos no Brasil, o seminário e a mostra têm como objetivo de estimular a reflexão sobre esta produção e compreender como as instituições estão atuando neste cenário.

PROGRAMAÇÃO

25 de maio (quarta-feira)
18h
Exibição da seleção especial de filmes e vídeos da Jean-Conrad e Isabelle Lemaitre Collection
20h
Debate: Coleções e Difusão: Melhores Práticas.
Jean-Conrad Lemaitre e Isabelle de Turckheim Lemaitre (França) e Christopher Eamon (EUA)
Com mediação de Pedro França.

26 de maio (quinta-feira)
18h
Exibição da seleção especial de filmes e vídeos da Electronic Arts Intremix (EAI)
20h
Debate: Arquivos, Preservação e Distribuição
com Sang Ae Park do Nam June Paik Art Center (Coréia) , Rebecca Cleman da Electronic Arts Intermix (EUA) e Jorge La Ferla, consultor do Museu de Arte Moderna de Buenos Aires - MAMBA (Argentina)
Com mediação de Pedro França.

27 de maio (sexta-feira)
18h
Exibição de vídeos do acervo Itaú Cultural
20h
Debate: O Contexto Brasileiro
com Jochen Volz, Inhotim (Brasil), Eliana Finkelstein, Galeria Vermelho (Brasil) e Eduardo Saron, Itaú Cultural (Brasil)
Com mediação de Pedro França.

28 de maio (sábado)
18h – Exibição de seleção especial de filmes e vídeos da Jean-Conrad e Isabelle Lemaitre Collection
20h - Exibição de seleção especial de filmes e vídeos da coleção do Museu de Arte Moderna de Buenos Aires - MAMBA

29 de maio (domingo)
16h - Exibição de seleção especial de filmes e vídeos da Electronic Arts Intermix (EAI)

18h - Exibição de vídeos do acervo Itaú Cultural

----------

El museo y las artes tecnológicas
Entre el archivo, el auditórium y el espacio expositivo.

El MAMBA, Museo de Arte Moderno de Buenos Aires ha mantenido una significativa participación en la historia de las artes tecnológicas contemporáneas. Revisar este vínculo nos permite establecer un estado de situación sobre la producción, exhibición y la conservación del cine experimental, el videoarte y las nuevas tecnologías en Argentina. Desde su fundación en 1956 hasta el momento actual, en su renovada sede en el barrio de San Telmo de Buenos Aires, el MAMBA afronta el desafío de poner en la escena del archivo su memoria de medio siglo con las artes mediáticas. La escena del arte tecnológico y la conformación de archivos audiovisuales como parte de la práctica museística contemporánea se ha visto afectada por los cambios tecnológicos que han convertido al audiovisual en procesos informáticos. La aparente homogeneidad de esta conversión numérica plantea un debate que aún no ha sido ejercido en toda su amplitud. El campo del arte contemporáneo intenta contener, y hacerse cargo, de una serie de manifestaciones audiovisuales que amplían el dispositivo específico del cine y el video, las cuales circulan entre la sala oscura, la proyección, la pantalla blanca, las butacas, el espacio expositivo, los archivos.
Esta muestra antológica de video argentino, es parte de la colección del MAMBA, y pone en la escena una historia de aparatos a lo largo de las últimas dos décadas y de las cuales se han apropiado los artistas que nos remite a diversas corrientes estéticas. Las relaciones entre el video, la fotografía, el cine, la TV y el digital surgen de procesos expresivos aplicados en diversos formatos tecnológicos, ofreciendo asimismo un discurso sobre las tecnologías audiovisuales en su deambular por los diversos espacios del museo.

Memoria del video argentino en el MAMBA: 12 obras/12autores:

Ar Detroy; Fabián Hofman y Andrés Di Tella; Luz Zorraquín; Julio Real; Iván Marino; Federico Falco;

Marcello Mercado; Carlos Trilnick; Gabriela Golder; Andrés Denegri; Sebastián Díaz Morales; Gustavo Galuppo

Videoakt. International Videoart Biennial

2011-05-11T00:05:00.001+02:00

Videoakt: International Videoart Biennial

18.05.11

Loop Fair

Hora 19:00 pm

Hotel AMISTER (Av. Roma - 93/ 95)

Barcelona, España

Marcello Mercado: Captured Sequences
Curator: Ricardo Iglesias

Videos:

Captured Sequences

Marcello Mercado, 20´ 01“ color PAL stereo miniDV 2008 Germany

Re-routing biopockets

Marcello Mercado, 20´ 41“ color PAL stereo miniDV 1999 Germany

The on-coming water

Marcello Mercado, 24´ color PAL stereo miniDV 2006 Denmark

Captured Sequences

Marcello Mercado, 20´ 01“ color PAL stereo miniDV 2008 Germany

Re-routing biopockets

Marcello Mercado, 20´ 41“ color PAL stereo miniDV 1999 Germany

The on-coming water

Marcello Mercado, 24´ color PAL stereo miniDV 2006 Denmark

Low Lives 3 International Festival of Live Networked Performances

2011-04-29T23:41:00.008+02:00

Low Lives 3 International Festival of Live Networked Performances

29 April 2011, 8 – 12 PM EST
30 April 2011, 3 – 6 PM EST

Now entering its third year, Low Lives is an international exhibition of live performance-based works
transmitted via the internet and projected in real time at multiple venues.

For more info visit http://www.lowlives.net

http://www.ustream.tv/channel/low-lives-3

Participating artists include:

Annie Abrahams; Lukas Avendaño; Brian Balderston and Chloe Bass; Camille Baker; Tzitzi Barrantes;
Rachelle Beaudoin; Black & Jones; Caroline Boileau; Catherine Cabeen and Company; Jennifer Chan;
Tyrone Davies; Joseph DeLappe; dev01ded; Alfred Dong; Nancy Douthey; Eosin; Julie Fotheringham
and Jarryd Lowder; Second Front; Deborah Goffe; Carlos Gonzalez; Katelena Hernandez; Ajeesh K.B.,
Santhosh V.S., and Hemabharathy Palani; Jayson Keeling; La La La Singers; Shaun El C. Leonardo;
Anya Liftig; Kristin Lucas; James Mbunju and Company; Saul Melman; Marcello Mercado; Jui Mhatre
and Jaee Joshi; Julio Morales; Irvin Morazan and Maya Jeffereis; Kendall Nordin; Molly O'Connor/
Molliver; So Percussion; SaBa; Marisol Salanova; Rosa Sanchez and Alain Baumann; Byd Sarret;
Jenny Schlief; Carmen Sober; Alan Sondheim; Nathan Stevens; Zornitsa Stoyanova; Channel TWo;
Frans van Lent; Claude van Lingen; Ginna Vélez; Rodell Warner; Ian Warren; Dr. Heather Warren-Crow;
Rebecca Weiner; and Paul Wiersbinski

Marcello Mercado
30.04.2011
Buenos Aires     16:11h         Los Angeles          12:11h
Berlin              21:11h        Cape Town            21:11h
Salt Lake City    13:11h         Miami       15:11h

http://www.ustream.tv/recorded/14385478

Performing Arts

“Human Genome re-Activation” by Marcello Mercado

keywords:
bioart, genome, finger, soundart, genetics, synthetic voice,
DNA – Sequence alignment, chromosome 1, DNA, Nucleotides,
adenine (A), cytosine (C), guanine (G), thymine (T), DNA-Bases

I lost one finger (the pinky from my right hand) when I was 8 years old. The performance is about
“to read or to transmit” to my hand -in form of audio - fragments of the human genome. The idea is
to “activate” -through sounds- the DNA-knowledge about how to make a new finger.
The running time (activation) of the performance is 3 minutes.

Festival Internacional de la Imagen

2011-04-11T02:53:00.002+02:00

Festival Internacional de la Imagen
Departamento de Diseño Visual de la Universidad de Caldas

Marcello Mercado
Conferencia:
"Biorealismus: Relaciones entre el bioarte, el arte conceptual y el arte satelital"

16.04.2011
9am
C.C.C. Teatro de Los Fundadores
Manizales, Colombia

http://twitpic.com/4llszl

40jahrevideokunst.de - Teil 2

2011-04-10T20:04:00.004+02:00

40jahrevideokunst.de - Teil 2

12.-30.04.11,

Ausstellungseröffnung 11.04., 18:00 Uhr

Das Projekt »RECORD > AGAIN! stellt nach dem Vorgängerprojekt
"40jahrevideokunst.de – Teil 1" mehr als 50 Videoarbeiten aus den
letzten 40 Jahren vor, die exemplarisch die Vielfalt der deutschen
Videoszene und ihre Entwicklung widerspiegeln. Es handelt sich um
eine Tourneeausstellung des Goethe-Instituts, konzipiert vom Zentrum
für Kunst und Medientechnologie in Karlsruhe.

Galerie Školská 28
v ul. Školské 28, 110 00 Praha-1
Czech Republic
tel. +420 296 325 066,
skolska28@skolska28.cz

Öffnungszeiten:
Di 13.00 -19.00 Uhr,
Mi-Fr 13.00 - 17.00 Uhr,
weiter je nach Programm

RECORD AGAIN - 40 Jahre Videokunst in Deutschland

2011-03-12T00:59:00.004+01:00

RECORD AGAIN - 40 Jahre Videokunst in Deutschland In Toulouse im Rahmen der Rencontres Traverse Vidéo und im Centre d’Art le Lait, Albi

Video-Projektionen
16.03. - 26.03.2011

Goethe-Institut,

4 bis rue Clémence Isaure,

31000 Toulouse

Centre d’Art le Lait, Albi

Öffnungszeiten:
Montag - Donnerstag: 14.15 - 19 Uhr
Freitag: 14.15 - 17 Uhr
(auf Anfrage unter Tel. 05 61 23 12 37)

Die Ausstellung wird vom 16. März bis 29. Mai 2011 im Centre d’Art le Lait in Albi gezeigt.

Die im Goethe-Institut präsentierten Werke sind:

Nan Hoover „Movements in Light“ (1975)
Gerd Kroske „Cassiber“ (1988/1989)
Marcello Mercado „Das Kapital“ (1999-2000)
Urs Lüthi „sans titre“ (1973)
Marcel Odenbach „Gespräche zwischen Ost und West“ (1978)
Ulrike Rosenbach „Good luck for a better art“(1977)

Wie schon beim ersten Teil des Projekts kann das Goethe-Institut die internationale Vermittlung
der DVD-Studienedition zum zweiten Teil des Projekts „40jahrevideokunst.de“ übernehmen.
Das Projekt wurde vom ZKM in Karlsruhe in Kooperation mit dem Ludwig Forum in Aachen, dem
Kunsthaus Dresden und dem Edith-Ruß-Haus für Medienkunst in Oldenburg konzipiert, es wird
gefördert von der Kulturstiftung des Bundes.

Für die GI-Version der DVD-Studien-edition wurden über 50 Video-arbeiten ausgewählt, die
überwiegend aus der ‚Frühzeit‘ der Videokunst, d.h. aus den 1970er und 1980er Jahren stammen,
aber auch einige zeitgenössische Produktionen umfassen.
Wo erforderlich, wurden die Videos mit englischen Untertiteln versehen.

Unter anderem enthält die DVD-Studienedition Arbeiten der folgenden Künstler/innen:
Joseph Beuys, Michael Bielicky, Claus Böhmler, Klaus vom Bruch, Lutz Dammbeck,
Rudolf Herz, Nan Hoover, Wolf Kahlen, Korpys/Löffler, Urs Lüthi, Ernst Mitzka,
Heike Mutter, Marcel Odenbach, C.O. Paeffgen, Klaus Rinke, Ulrike Rosenbach,
Reiner Ruthenbeck, Gerry Schum, Peter Weibel, Ursula Wevers, Peter Wiersbinsky

Digital Art Center Taipei

2011-02-07T22:22:00.000+01:00

08.02 - 06.03.2011
RECORD > AGAIN! 40jahrevideokunst.de
Digital Art Center Taipei
Goethe-Institut Taipei
Taipei, Taiwan

Regeneration.011

2011-02-06T02:19:00.001+01:00

Regeneration.011
A Selection of The Web Biennial Revealing The Poetics and Politics of Net Art
January 20 - March 20, 2011
PLATO ART SPACE,
Ayvansaray Caddesi, No: 33,
Balat 34087 Istanbul
Turkiye

Internet has contributed to the transformation and spreading of new forms of art,

provided boundless creating, exhibiting and consuming opportunities.

Regeneration.011, in this context, is presenting works that deal with freedom of

speech and anti-war activism as well as revealing the political and poetical aspects

of contemporary net art. Plato Art Space, by this project, aims to draw attention

to net art which gained considerable importance in the recent years as an alternative

space for contemporary art.

Artists: Magda Bielesz, Alan Bigelow, Immo Blaese, Andrew Chee,

Martin John Callanan, Andy Deck, Dimitrios Fotiou, Matthias Fritsch,

Genco Gulan, Elli Harrison, Sachiko Hayashi, Anni Holm, Aoghus

Kneeshaw, Cardarelli Luigia, Marcello Mercado, Alexander Mouton,

Christian Rupp, Evelyn Stermitz, Jurgen Trautwein, Merve Unsal,

Nanette Wylde, Jody Zellen, Ricardo Miranda Zuniga.

Curator: Marcus Graf

Finissage der Ausstellung "Mapping" in der [galerie.bruehl]

2011-02-05T06:08:00.008+01:00

Finissage der Ausstellung "Mapping" in der [galerie.bruehl]

Neue Projekte von Marcello Mercado

Samstag, den 12. Januar 2011 19:00 h

Die facettenreiche Ausstellung "Mapping" mit Schwarz-Weiß-Zeichnungen und einer Videoinstalation
des international renommierten in Brühl arbeitenden Künstlers Marcello Mercado in der [galerie.bruehl]
hat bereits bislang hohe Aufmerksamkeit gefunden.  
Noch bis Samstag, den 12. Januar 2011 19:00 h hat das Publikum Gelegenheit, die Arbeiten des gebürtigen
Italo-Argentiniers zu sehen.

Herzlich lädt die [galerie.bruehl] ein zur   Finissage mit Imbiß am Samstag, den 12. Februar 2011
um 19 Uhr  in die [galerie.bruehl].

[galerie.bruehl]
Uhlstrße 2,
D-50321 Brühl 
(in der Fußgängerzone, diret am Rathaus)

Marcello Mercado wird an diesem Abend neue Werke und sein aktuelles Buchprojekt präsentieren.

Roboter malen mit

2011-01-19T23:00:00.046+01:00

Roboter malen mit
Von Dorothee Ragg,
19.01.11
Kölner Stadt Anzeiger

Der Künstler Marcello Mercado hat eine eigentümliche Methode für sich entdeckt: Seine Bilder werden teilweise von selbst gebauten Robotern gezeichnet. Zu sehen sind die Resultate in der Galerie Brühl...[+]

Üppig wuchernde Linienführungen
Bilder von Marcello Mercado in der galerie.bruehl
17.01.2011
Brühler Schlossbote

MARCELLO MERCADO (m)2 MAPPING

2011-01-15T03:49:00.001+01:00

MARCELLO MERCADO (m)2
MAPPING

16-01-2011 bis 12-02-2011

Marcello Mercado, italienisch-argentischer Brühler, bewegt sich interdiziplinär auf den Feldern Malerei,
Video, Biokunst, Objekt, Installation, Klangkunst und im Rahmen von Netzprojekten. Sein vielfältiges
Werk ist gekennzeichnet durch das Aufeinandertreffen von Robotik und Biologie, von Virtuellem und
Realem, Materiellem und Feinstofflichem. Und auch in seiner jüngsten Auseinandersetzung mit dem
klassischen Medium der Zeichnung lässt Marcello Mercado Elemente aufeinandertreffen, die zunächst
disparat erscheinen.

Auf großformatigen Papierbögen erschafft Marcello Mercado Bildräume, die durch üppig wuchernde
Linienführungen gekennzeichnet sind. Hierfür schickt er selbstgebaute Zeichenroboter auf ihre Reise
über den Bildgrund. Hier schaffen sie vielfältigste Linienstrukturen, sie schleifen und punktieren, hier
vibrieren sie spiralförmig oder bewegen sich in zackigem Staccato über das Papier, hinterlassen
geheimnisvolle Spuren, die jenen im Schnee nicht unähnlich sind.

Doch Mercado überläßt dem Automaten nicht das Feld – er interveniert, lenkt und stoppt, kommentiert
die Liniengefüge mit frei schwingenden, gestischen Übermalungen, um auch diese wieder mit
vielgestaltigen Liniengespinsten der Zeichenroboter zu überziehen.

In MAPPING, englisch für Kartierung oder auch topographische Dokumentation, bewegt sich der Blick
stetig zwischen Nah und Fern, zwischen endlos scheinender Feinstruktur und bestimmt gesetzter
malerischer Geste. Der Betrachter erlebt eine faszinierende Reise durch die von Marcello Mercado
geschaffenen Bildräume.

Vernissage: Sonntag, 16-01-2011, 15:00 h

[galerie.bruehl] 
Uhlstraße 2 D-50321 Brühl
Deutschland 
Fon 0 22 32 - 15 58 25 
Fax 0 22 32 - 15 58 26

Öffnungszeiten:
montags bis freitags 10:00 bis 13:00 h & 14:00 bis 18:00 h,
samstags 11:00 bis 14:00 h

(english)

"On large-format sheets of paper Mercado creates visual spaces, which are characterized by luxuriant lines. He sends homemade robots on their journey through the picture plane. Here they create a wide variety of linear structures, they grind and puncture, here they vibrate or move in a spiral brisk staccato over the paper, leaving mysterious tracks.
In MAPPING- topographic mapping or documentation- the view moves constantly between the near and far, between seemingly endless fine structure and provides a picturesque compound gesture."

(spanish)
"Su cuerpo diverso de trabajo se caracteriza por el enfrentamiento de la robótica con la biología, de lo virtual con lo real, de lo tangible con la sutileza. Y en su último enfrentamiento con el medio tradicional del dibujo, Mercado puede unir elementos que-en principio- parecen dispares.
En hojas de papel de gran formato, Mercado crea espacios visuales, que se caracterizan por las líneas exuberantes.
Lanza robots caseros-construídos con restos de móviles- sobre el cuadro, en su viaje a través del plano. Aquí se crea una amplia variedad de estructuras lineales, que muelen, que punzan, aquí vibran o se mueven en una espiral de staccato rápido sobre el papel, dejando huellas misteriosas no muy diferentes a las de la nieve.
Pero Mercado no deja solas a las máquinas en el campo - sino que interviene, dirige y se detiene y hace comentarios sobre las estructuras lineares hechas por libre oscilación, la pintura vibrante y gestual cubre a su vez las líneas dibujadas por los robots.
En Mapping- en Inglés tiene el signuficado de cartografía topográfica o de documentación cartográfica- la vista se mueve constantemente entre lo cercano y lo lejano, entre la estructura fina aparentemente interminable y el gesto pictórico. El espectador experimenta un viaje fascinante a través del espacio plástico creado por Marcello Mercado"

Goethe-Institut Bulgarien

2010-12-09T22:28:00.001+01:00

06.12 - 04.01.11
RECORD > AGAIN! 40jahrevideokunst.de
Galerie Akademia, Nationale Kunstakademie Sofía
Goethe-Institut Bulgarien
Sofía, Bulgarien

Goethe-Institut Ankara

2010-11-29T03:23:00.001+01:00

22.11 - 28.11.10
VİDEFESTA’10,
International Festival of Media Arts

RECORD > AGAIN! 40jahrevideokunst.de
Digitales Erbe: Ausstellung zur Videokunst in Deutschland von 1963 bis heute
Goethe-Institut Ankara
Ankara, Türkei

The Routledge Companion to Research in the Arts

2010-11-18T01:20:00.000+01:00

The Routledge Companion to Research in the Arts
Editors: Michael Biggs; Henrik Karlsson
ISBN: 978-0-415-58169-1 (hardback) 978-0-203-84132-7 (electronic)
Subjects: Fine Art; Media & Communications;
Publisher: Routledge, UK, 2010

The Routledge Companion to Research in the Arts is a major collection of new writings on research in the creative and performing arts by leading authorities from around the world. It provides theoretical and practical approaches to identifying, structuring and resolving some of the key issues in the debate about the nature of research in the arts which have surfaced during the establishment of this subject over the last decade.

Contributions are located in the contemporary intellectual environment of research in the arts, and more widely in the universities, in the strategic and political environment of national research funding, and in the international environment of trans-national cooperation and communication. The book is divided into three principal sections – Foundations, Voices and Contexts – each with an introduction from the editors highlighting the main issues, agreements and debates in each section.

Record again : 40 Jahre Videokunst.de Teil 2

2010-11-18T01:11:00.001+01:00

Record again : 40 Jahre Videokunst.de Teil 2
Editors: Christiph Blase, Peter Weibel
12 DVDs and 3 Booklets
Publisher: ZKM. Zentrum für Kunst und Medientechnologie,
Karlsruhe, Germany, 2010

The DVD Study Edition RECORD_AGAIN! 40YEARSVIDEOART.DE–PART 2 presents 60 outstanding video works by 58 artists and artist groups spanning the years between 1968 and 2008, thus continuing work begun by 40YEARSVIDEOART.DE–PART 1 in 2006.

The second edition focuses on the early years of video. Many of the tapes have survived a 25-year period in storage, and thanks to the means of presentation that have meanwhile become available, are now presented here for the ìirst time: since the old equipment has longsince become obsolete, the bulk of the video collection was likewise unserviceable. However, the ZKM | Laboratory for Antiquated Video Systems has devised special equipment for the project, consequently making it possible to digitize over 50 of the different video formats dating from the mid-1960s to the mid-1980s, and to thereby preserve them for posterity. The resulting footage has a running time of more than 25 hours, and encompasses both old and new works ranging from early art-video recordings of performances, interviews or documentaries on the art scene, to politically motivated works, all of which are presented in this anthology.

Duration: 25:40 h
Color und b/w
PAL/Europe

For copyright reasons this sensational DVD edition is not available

in the trade but exclusively to institutions in the fields of education,

teaching, and research.

transferring, storing, sharing and hybriding: The perfect humus

2010-08-24T01:40:00.000+02:00

transferring, storing, sharing and hybriding: The perfect humus
bioart – installation - performance - database art - satellite art
by Marcello Mercado, 2010

What exactly we are accumulating in ours brains, hard disks, servers, DNAs?
What kind of imagination we are creating with this archives?
This work reflects the exploration of the gaps between digital on-line archives,
Human Genome, Satellite data and the screens and it´s embedded databases.

The chemical and Physical perception, in the eye of the cat, in the moment of the cut

2010-08-18T23:45:00.000+02:00

"The chemical and Physical perception, in the eye of the cat, in the moment of the cut"
Videoart by Marcello Mercado, 2004

Die Konstruktion genetischer Chromosomenkarten

2010-08-18T23:43:00.000+02:00

"Die Konstruktion genetischer Chromosomenkarten"
Videoart by Marcello Mercado, 1999

Captured Sequences

2010-08-18T23:42:00.000+02:00

"Captured Sequences"
Videoinstallation by Marcello Mercado, 2008

38% and Simulations

2010-08-18T23:40:00.000+02:00

"38% and Simulations"
Videoart by Marcello Mercado, 1999

Re-routing Bio-pockets

2010-08-18T23:37:00.000+02:00

"Re-routing Bio-pockets"
videoart by Marcello Mercado, 1999

Supermassive

2010-08-18T23:33:00.000+02:00

"Supermassive"
The beginning of Das Kapital Part 2. Real time manipulation in virtual spaces.
Animation by Marcello Mercado, 1999

Acupuncture

2010-08-18T23:31:00.000+02:00

"Acupuncture"
Can Acupuncture Help Weight Loss?. Here a treatment of weight control.
Performance by Marcello Mercado, 2008

Making consistent volatile ideas by broadcasting bio-information through plants..

2010-08-18T23:29:00.000+02:00

"Making consistent volatile ideas by broadcasting bio-information through plants.. "
Videoinstallation by Marcello Mercado: 2008
In 2007 I made a double intervention in the Documenta Kassel: 1) I took red poppies
from the art work of Sanja Ivekovic: "Poppy Field" and I have extracted the DNA from them.
A month later I have disolved the frozen DNA in water where were living water-worms
(Biomphalaria glabrata). I have transmitted through Baby- calls their own genoma.

Das Kapital - Capital

2010-08-18T23:26:00.000+02:00

"Das Kapital - Capital"
In this video the industrial age theory meets digital age technology
through arithmetic operations, and mathematical conventions.
The images are related with preconstructed economic models,
vegetables-loops, microbial centrifugal architectures.
The building of economical and bacterial models.
Original Running time: 1 hour, 2009
by Marcello Mercado

Biorealismus

2010-08-18T23:22:00.000+02:00

"Biorealismus"
Performance by Marcello Mercado, 2005
The project was about a long-term bio-art-experiment.
Developing Gödel´s ideas and biological-actions-experiments in Köln´s streets
as a 3-dimensional grid.
Key-words:
Looking for consistency. Arithmetic operations, mathematical conventions

Primordial Hunters

2010-08-18T23:18:00.000+02:00

Videoart by Marcello Mercado, 2004
Cape Town, Southafrica, 2004: I can look on the hunters in the distance.
The sun-light, the handler and the dogs. The suppression of distance.
To escape, to copulate to eat. The species classification is dissected.
The strategy of food procurement and food storing. The hunter is in tune
with the prey. Tiny grains of sounds. To disable or to kill.
The victim's heads: Stay tuned! and today the challenging words are :
behavioral, carnivorous, insects, velocity!

Primordial Soup

2010-08-18T23:14:00.000+02:00

"Primordial Soup"
Videoart by Marcello Mercado, 1995

The Silence

2010-08-18T23:12:00.000+02:00

"The Silence"
Videoart by Marcello Mercado, 1995

The on-coming water

2010-08-18T23:10:00.000+02:00

"The on-coming water "
Videoart by Marcello Mercado, 2006

Discussing with you some very important scientific newspaper of the day

2010-08-03T23:50:00.003+02:00

Discussing with you some very important scientific newspaper of the day

A Process of Dissemination of scientific Information?
Scientific explanations? A social utility that connects people with important scientific news?
A scientific method of step by step-plan? "Unusual"-she said, OK! something like creak-creak-creak.Scientific breakthroughs, you and me.
Performance by Marcello Mercado
Running-time: 1´36"

RECORD > AGAIN! 40 JAHREVIDEOKUNST.DE – PART 2

2010-02-23T17:34:00.003+01:00

Edith Russ Site for Media Art
27 February 2010 – 16 May 2010

RECORD > AGAIN! – 40JAHREVIDEOKUNST.DE – TEIL 2 continues the work of the Part 1 presented in 2006 and focuses particularly on the early days of video art from the late nineteen sixties.
The difficult problematic was initially a purely technical one: While many tapes have survived, there had become impossible to play them. The old machines were lost and the tapes were usually unplayable. For the project RECORD > AGAIN!, a functioning assembly of technical devices for obsolete video systems was established at the ZKM | Laboratory for antiquated video systems. This made it possible to digitalize over fifty different video formats from the mid 60ies to the mid 80ties, thus preserving them for posterity.
Over the course of the work, numerous videos that were considered lost because no one had been able to watch them for over 25 years, became visible. Other were preserved as fragments in various versions and had to be meticulously reconstructed. Several pieces only existed in poor copies and had to be restored and newly digitalized. And some works are now being shown as they were initially conceived approximately 30 years ago.
RECORD > AGAIN! thus presents, decades later, several premieres and numerous repeat performances by and with: Joseph Beuys, Gábor Body, Claus Böhmler, Klaus vom Bruch, Holger Czukay, Lutz Dammbeck, Flatz, Michael Geissler, Jörg Herold, Jochen Hiltmann, Nan Hoover, Wolf Kahlen, Edmund Kuppel, Urs Lüthi, Ernst Mitzka, Michael Morgner, Marcel Odenbach, Klaus Rinke, Ulrike Rosenbach, Dieter Roth, Ulrich Rückriem, Reiner Ruthenbeck, Walter Schröder-Limmer, Telewissen, Ulay, Peter Weibel, Marcello Mercado, Ursula Wevers and others. The material is largely being shown in the exhibition on historical equipment.
The catalog published by Hatje Cantz Verlag encompassing circa 480 pages features texts by Siegfried Zielinski, Ursula Wevers, Peter Weibel, Ute Vorkoeper, Wolfgang Stickel, Klaus Staeck, Rolf Sachsse, Sylvia Martin, Claus Löser, Gregor Jansen, Wilhelm Hein, Wulf Herzogenrath, Walter Grasskamp, Christiane Fricke, René Block and Christoph Blase in addition to an illustrated history of video technology, explanations of present-day conservation practices as well as a comprehensive annotated bibliography.

Edith Russ Site for Media Art
Katharinenstraße 23
D-26121 Oldenburg
info@edith-russ-haus.de
Tel.: +49 (0) 441 / 235 - 32 08
Fax: +49 (0) 441 / 235 - 21 61

RECORD>AGAIN! 40jahrevideokunst.de - Teil 2

2009-11-19T23:24:00.003+01:00

RECORD > AGAIN! 40 Years of Video Art, Part 2

Kunsthaus Dresden
Städtische Galerie für Gegenwartskunst

From 29/11/2009 to 14/02/2010

RECORD > AGAIN! is a collaborative project with the Centre for Art and Media Technology in Karlsruhe ZKM. It presents restored video works from the last 40 years that are exemplary reflections of the diversity of the German video scene, especially the medium’s early days. What is being shown are the artistic experiments, the pleasure involved in discovering a new means of artistic expression and the satisfaction derived from communicating and interacting. Both in the artists’ actions and the social atmosphere of the first decades there is a tangible euphoria which is based on a belief in the opportunities offered by this technology as a new medium for exchanging ideas between artists and civil society as a whole. Documenting immediate surroundings, expanding the perception of the body and the involving other people in the actual artistic process represent this potential for extending the artistic field of action. Advantage was also taken of the possibilities of mediating art by means of the new medium, video, and television too.

Kunsthaus Dresden
Städtische Galerie für Gegenwartskunst
Rähnitzgasse 8 - 01097 Dresden
Deutschland
fon: +49 (0)351-804 14 56
fax: +49 (0)351-804 15 82

RECORD>AGAIN! 40jahrevideokunst.de - Teil 2

2009-10-21T19:22:00.001+02:00

RECORD>AGAIN! 40jahrevideokunst.de - Teil 2
From 19/09/2009 to 15/11/2009

Die Ausstellung des ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe setzt das Projekt zur technischen und wissenschaftlichen Aufbereitung von Videokunst fort, das 2006 initiiert wurde. Über 60 Videoarbeiten aus der Frühzeit der Videokunst wurden restauriert, rekonstruiert und digitalisiert und werden nun im Rahmen einer umfangreichen Ausstellung auf Originalgeräten der Entstehungszeit präsentiert. Aus der Videosammlung des Ludwig Forums wurden 21 Arbeiten in das Projekt aufgenommen, von denen einige in der Ausstellung zu sehen sind.
Die Ausstellung reist im Anschluss an das Kunsthaus Dresden und das Edith-Ruß-Haus für Medienkunst Oldenburg.

Ludwig Forum
für Internationale Kunst
Jülicher Straße 97-109
52070 Aachen
Deutschland
Telefon 0241 / 1807-104
Fax 0241 / 1807-101
info@ludwigforum.de

Joseph Beuys,
Nam June Paik,
Michael Bielicky,
Ricardi Peredo,
Claus Böhmler,
Bazon Brock,
Klaus vom Bruch,
Egon Bunne,
Chicks on Speed (Melissa Logan, Alex Murray-Leslie) /
Anat Ben-David,
Kathi Glass,
Douglas Gordon u. A.L. Steiner,
Gerd Conradt und Michaela Buescher,
Holger Czukay,
Lutz Dammbeck,
Klaus Peter Dencker,
Flatz, Freiburger Medienwerkstatt,
Michael Geißler,
Freddy Paul Grunert,
Gusztáv Hámos,
Jörg Herold,
Rudolf Herz und Ruth Toma,
Jochen Hiltmann,
Nan Hoover,
Wolf Kahlen,
Alexander Kluge,
Gerd Kroske,
Ulrich Wüst,
Mario Persch,
Uwe Baumgartner und Jürgen Kuttner,
Marcus Kaiser,
Korpys/Löffler,
Laurids&Mattheus,
Edmund Kuppel,
David Larcher,
Urs Lüthi,
Digne Meller Marcovicz,
Marcello Mercado,
Ernst Mitzka,
Michael Morgner,
Heike Mutter,
Marcel Odenbach/Gábor Body,
Anna Oppermann,
Susanne Ofteringer,
C.O. Paeffgen,
Klaus Rinke,
Ulrike Rosenbach und Klaus vom Bruch,
Dieter Roth,
Ulrich Rückriem,
Reiner Ruthenbeck,
Gustav-Adolf Schroeder,
Walter Schröder-Limmer,
HA Schult,
Gerry Schum,
Wolfgang Stoerchle,
Telewissen,
Ulay,
UTV - Unser Fernsehsender,
Franz Erhard Walther,
Peter Weibel,
Ursula Wevers,
Paul Wiersbinski,
Regina Wyrwoll

Das Kapital

2009-10-08T16:33:00.002+02:00

Das Kapital,
Paintings and Drawings
by Marcello Mercado

17 Sep 2009 to 16 Oct 2009

Galería Vanguardia,
Ald de Mazarredo 19,
48001 Bilbao,
España

tel +34-944-23 76 91
fax +34-944-23 05 26

Opening hours:
Mo, Tu, We, Th, Fr, Sa 11:30-13:30 and 17:30-20:30

We all miss the D-Mark or Clara Schumann´s DNA-Concert

2009-10-03T19:55:00.003+02:00

Wir alle vermissen die D-Mark oder Clara Schumann´s DNA Konzert

05.12.08

Blast Kunstforum,
Venloer Str. 24
50672 Köln
Germany

Photos

I have performed live-music-sounds-noises mixing algorithms with DNA extracted from flowers.

Primitive no patented-DNA technology and the sound forms.

2009-08-22T22:55:00.005+02:00

JUEVES 27 de agosto
CICLO DE VIDEO ARTE
19 hs

Coordinación: Mariela Cantú
Presentación: Victoria Sacco
Marcello Mercado
Un recorrido antológico por su obra
Auditorio. Entrada libre y gratuita

Alianza Francesa
Córdoba 936/946
(1054) Buenos Aires - Argentina
Tel. (54 11) - 43 22 00 68
Fax: (54 11) - 43 26 66 55

2009-08-22T22:30:00.004+02:00

Marcello Mercado en Fundación Telefonica

18,19,25,y 26 de agosto

Espacio Fundacion Telefonica,
Arenales 1540,
C1061AAR Buenos Aires,
Tel. (5411) 4333-1300,

espaciofundacion@telefonica.com.ar,

2009-08-22T22:19:00.004+02:00

Espacio Fundacion Telefonica

Espacio Plasma

Marino - Mercado. Medios audiovisuales

Del 18 de agosto al 27 de septiembre

Espacio Fundacion Telefónica,
Arenales 1540,
C1061AAR Buenos Aires,
Tel. (5411) 4333-1300,

espaciofundacion@telefonica.com.ar

2009-08-13T19:26:00.001+02:00

MARCELLO MERCADO EN EL CHATEAU CAC

El Chateau CAC el jueves 13 de agosto a las 20 hs presenta a Marcello Mercado con Das Kapital. El artista residente en Alemania, llega al CAC través de una coproducción con el Goethe Institut.

Chateau - CAC Centro de Arte Contemporáneo
Av. Cárcano 1750
5009 Córdoba, Argentina

TE 00 54-0351-4 85 8876

Curador: Jorge Castro

2009-07-17T12:36:00.019+02:00

July 18th–September 06th, 2009
RECORD > AGAIN! - 40yearsvideoart.de – Part 2
ZKM | Media Museum, ground floor, project space

RECORD > AGAIN! - 40yearsvideoart.de - Part 2 concentrates on early German video art and shows numerous discoveries,
which, for the most part, have no longer been available for viewing for decades. Included are major reconstructions, such as
the installation »Schafe« by Wolf Kahlen from 1975, shown on six black and white televisions; a rare work by Ulrike Rosenbach
with her partner at the time, Klaus vom Bruch, the boxing match from 1972 that Joseph Beuys participated in at the documenta 5,
and the first video synthesizer collages by Walter Schröder-Limmer. Many of these videos had to first undergo elaborate restoration
in the ZKM laboratory for antiquated video systems in order that they could be played at all. Another special feature is that the
material will be presented on contemporary screens.
After premiering in Karlsruhe, the exhibition will be shown at the Ludwig Forum Aachen, Kunsthaus Dresden, and at the
Edith Ruß Site for Media Art in Oldenburg. A detailed catalogue with DVD will be published for the exhibition.

The project is supported by the Kulturstiftung des Bundes.

RECORD > AGAIN! - 40yearsvideoart.de – Part 2

17.07.09-06.09.09
ZKM, Karlsruhe
Zentrum für Kunst und Medientechnologie
Lorenzstraße 19
76135 Karlsruhe
Deutschland
fon ++49 - [0]721 - 8100 - 0
info@zkm.de
ZKM

Artist Director: Peter Weibel
Curator: Christoph Blase

Artists:
Joseph Beuys, Michael Bielicky, Karl Oskar Blase,Claus Böhmler,
Klaus vom Bruch,Bazon Brock, Egon Bunne, Chicks on speed,
Freiburger Medienwerkstatt, Gerd Conradt, Michaela Büscher,
Holger Czukay, Lutz Dammbeck, Klaus Peter Dencker, Gretchen Dutschke,
Flatz, Gusztáv Hámos, Rudolf Herz, Jochen Hiltmann, Nan Hoover,
Wolf Kahlen, Alexander Kluge, Gerd Kroske, Korpys/ Löffler u.a., Kunstkanal,
Edmund Kuppel, David Larcher, Urs Lüthi, Digne Meller Marcovicz,
Michael Morgner , Marcello Mercado, Ernst Mitzka, Heike Mutter,
Marcel Odenbach/ Gabor Body, Nico, Susanne Ofteringer, Anna Oppermann,
C.O. Paeffgen, Nam June Paik, Ricardo Peredo, Ulrike Rosenbach, A. R. Penck,
Klaus Rinke, Dieter Roth, Reiner Ruthenbeck, Ulrich Rückriem,
Gustav-Adolf Schröder, Walter Schröder-Limmer, Herbert Schuhmacher, HA Schult,
Klaus Staeck, Gerry Schum, Wolfgang Stoerchle, Telewissen, Ruth Toma,
Ulay. UTV- unser Fernsehsender, Franz Erhard Walther, Peter Weibel, Ursula Wevers,
Paul Wiersbinski

2009-06-16T18:08:00.003+02:00

„Synthetic genomic readings on breathing worms“ or
“Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies”
by Marcello Mercado

Videoinstallation x 2 screens or 2 monitors
Do not disturb signs x 2
Dimension variable
by Marcello Mercado: 2008
DVD color stereo,
18´ loop x 2 screens,
Deutschland

Documentation:

Making consistent volatile ideas...(Documentation)
from Marcello Mercado on Vimeo.

Performance-Installation:

Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies
from Marcello Mercado on Vimeo.

2009-05-22T14:34:00.004+02:00

Visionaries - Audiovisual Works in Latin America
Museo de Arte del Banco de la República
Calle 11
No.4- 21/ 93 Bogotá,
Colombia

22/05/2009

Artists:
Glauber Rocha
Enrique Pineda Barnet
Nela Ochoa
Enrique Álvarez
Paco Cuesta
Miguel Alvear
Paz Encina
Francisca Benítez
Sebastian Diaz Morales
Jo Ractliffe
Nicolás Grum
Andrea Goic
Claudia Aravena Abughosh
Edgar Endress
Cao Guimarães
Rivane Neuenschwander
Ricardo Iazzetta
Ana Siqueira
Sara Ramo
Carlosmagno Rodrigues
Jorge Sanjinés
Héctor Solari
Carolina Saquel
Marcello Mercado
José Alejandro Restrepo
Carlos Eduardo Monroy

Visionarios – Audiovisual en Latinoamérica presenta una selección de producción de cine y video experimental que abarca los países de América Central, además de México, Caribe, América Andina, Brasil y Cono Sur, en una recopilación de trabajos que destacan en el contexto artístico de los primeros años del siglo XXI y presenta una antología histórica de sus realizadores pioneros. Este proyecto, que reúne obras con propuestas estéticas diferentes, es el resultado del proceso de investigación y curaduría realizada por Arlindo Machado (antología histórica), Elias Levin (México, América Central y Caribe), Jorge La Ferla (Argentina, Chile, Uruguay y Paraguay), Marta Vélez (Cuba, Ecuador, Bolivia, Colombia y Venezuela) y Roberto Moreira S. Cruz (Brasil). Contó con la colaboración de Adriana Barrios, María Belén Moncayo, Gloria María Arteaga, Mariela Cantú y Luisa María Marisy Martínez.

La cultura audiovisual de los pueblos que viven en América Latina es diversa y las fronteras se están extendiendo por diferencias históricas y geográficas. Ante estos desafíos, Visionarios – Audiovisual en Latinoamérica delineó principios conceptuales y estableció propuestas temáticas para la selección de las 73 obras que componen esta muestra, organizada en nueve programas. El público podrá ver un variado conjunto de producciones que tratan de temas sociopolíticos propios de muchos países latinos, así como otros que buscan la sensorialidad sonora y visual de la imagen y la experiencia estética con la imagen digital, además de trabajos cuyos temas contemporáneos representan con distinción los aspectos culturales más intrínsecos de la latinidad.

2009-05-18T13:15:00.003+02:00

Visionarios – Audiovisual en Latinoamérica
Museo Nacional Centro de Arte Reina Sofía

Artists
Jorge Sanjinés
Andrea Goic
Juan Carlos Alom
Carlosmagno Rodrigues
Paz Encina
Sebastian Diaz Morales
Jo Ractliffe
Claudia Aravena Abughosh
Edgar Endress
Cao Guimarães
Rivane Neuenschwander
Carolina Saquel
Marcello Mercado
José Alejandro Restrepo
François Bucher
Carlos Eduardo Monroy
Jorge Alban

Programa:
Máquinas e imaginarios
Curador: Jorge La ferla
Fechas: (28.05.09 y 10.06.09 / 1600 h, 20:00 h)
Los juegos de la creación en propuestas formales radicales, que nos remiten a una visión del mundo a través de temáticas políticas y diarios íntimos. Una trama de visiones en la que lo personal se asocia a diversas lecturas del entorno, externo e interno, como autorreferencia de los autores y de los medios tecnológicos audiovisuales que utilizan.

Fechas: del 18 de Mayo al 15 de Junio
Lugar: Edificio Sabatini. Salón de Actos Acceso: C/ Santa Isabel, 52
Entrada: gratuita Aforo: 140 localidades

Visionarios – Audiovisual en Latinoamérica presenta una selección de cine y vídeo experimental latinoamericano, que abarca desde México hasta los países del Cono Sur, dividida entre las producciones recientes de los últimos años, así como una antología histórica de sus primeros creadores. Organizada por el Instituto Itaú Cultural, a través de 73 obras que componen la muestra estructurada en nueve programas, el público podrá ver un conjunto de producciones que abordan temas sociopolíticos propios de la región y otras que investigan la dimensión sonora y visual de la imagen, alejada de planteamientos narrativos convencionales. Además de incluir títulos que tratan argumentos contemporáneos muy distintos a los que cultural y tradicionalmente se consideran intrínsecamente latinos. En definitiva, una muestra vitalista y
ecléctica, a la vez que profunda y comprometida, sobre la creación audiovisual latinoamericana pasada y reciente.

2009-05-14T13:03:00.004+02:00

Miradas (des)territoriales
Museo de Arte Moderno de la ciudad de Buenos Aires

Artists
Edgar Endress
Andrea Goic
Marcello Mercado
Francisca Benítez
Neyeri Avalos

Ciclo de video arte en el Auditorio de la Alianza Francesa de Buenos Aires,
Av. Córdoba 963/946,
Buenos Aires,
Argentina.

Coordinación: Mariela Cantú.
Jueves 14 de mayo a las 19 hs.

Miradas (des)territoriales Esta serie de videos trasciende el abordaje geográfico sobre los territorios,
estableciendo una mirada aguda sobre los lugares, los países, las sociedades y sus modos de construir discursos,
memoria, identidad.

Elvis hates America. Edgar Endress. Chile, 8´50", 2000.
La desigualdad de la mirada. Andrea Goic. Chile, 1´37", 2002.
Regulating the watch. Marcello Mercado. Argentina, 30´, 2005.
No hay nadie en París. Francisca Benítez. Chile, 5´53", 2005.
Revoilusión. Neyeri Avalos. México, 13´15", 2003.

2009-05-07T18:47:00.002+02:00

Visionarios - Audiovisual en Latinoamérica
Centro Fundación telefónica Perú
Del 6 al 22 de mayo, 2009

2009-02-17T03:55:00.005+01:00

Wir alle vermissen die D-Mark oder Clara Schumann's DNA Konzert,
by Marcello Mercado

05.12.2008
Bioart Live Performance, 30 minutes,
Blast, Köln

Extract: 10´51"

electronic music, abstract, experimental, noise, extreme noises, algorithmic, electro, drone, microsound, soundart, phonography, loop, breakbeat, clicks/cuts, game, industrial, electroacoustic, soundtrack

2009-02-16T04:03:00.002+01:00

The Hierophant, 2000

By Marcello Mercado

CD
Running Time : 1 hour
Extract: 3´08"

electronic music, abstract, experimental, noise, extreme noises, algorithmic, electro, drone, microsound, soundart, phonography, loop, breakbeat, clicks/cuts, game, industrial, electroacoustic, soundtrack

2009-02-15T04:15:00.002+01:00

The Chemical and Physical Perception, in the Eye of the Cat,
in the moment of the cut

by Marcello Mercado

12´ 58“ 2005 Germany

Extract: 5´02"

electronic music, abstract, experimental, noise, extreme noises, algorithmic, electro, drone, microsound, soundart, phonography, loop, breakbeat, clicks/cuts, game, industrial, electroacoustic, soundtrack

2009-02-14T04:20:00.002+01:00

Das Kapital.01
(version 1998)
Live Performance, 2003
Cleveland Public Theatre,
Cleveland Ohio USA

electronic music, abstract, experimental, noise, extreme noises, algorithmic, electro, drone, microsound, soundart, phonography, loop, breakbeat, clicks/cuts, game, industrial, electroacoustic, soundtrack

2009-02-13T04:24:00.003+01:00

das Kapital.02
(version 1999)

Live Performance, 2003
Taipei Fine Arts Museum,
Taipei, Taiwan

electronic music, abstract, experimental, noise, extreme noises, algorithmic, electro, drone, microsound, soundart, phonography, loop, breakbeat, clicks/cuts, game, industrial, electroacoustic, soundtrack

2009-02-12T04:28:00.003+01:00

das Kapital.01
(version 1997)

Live Performance, 1997,
Apeiron Zool, Goethe Institut,
Córdoba, Argentina

Extract: 2´ 42"

electronic music, abstract, experimental, noise, extreme noises, algorithmic, electro, drone, microsound, soundart, phonography, loop, breakbeat, clicks/cuts, game, industrial, electroacoustic, soundtrack

2009-01-11T04:33:00.001+01:00

FFFF FFFS FFSS SSSS,The Pluripotent and the eleven HeSC Lines

86´, 2006, Deutschland

Extract: 5´35"

electronic music, abstract, experimental, noise, extreme noises, algorithmic, electro, drone, microsound, soundart, phonography, loop, breakbeat, clicks/cuts, game, industrial, electroacoustic, soundtrack

2008-12-07T04:44:00.014+01:00

Marcello Mercado
"Wir alle vermissen die D-Mark oder Clara Schumann's DNA Konzert", 05.12.2008
synthetic textil, wood, plastic
4,30m x 1m 169.3 inches x 39.4 inches
Bioart Performance, 30 minutes

BLAST
Venloer Str. 24
50672 Köln
Deutschland

Sa|So 13–17h

www.b-l-a-s-t.de

2008-12-07T04:42:00.005+01:00

Marcello Mercado
"Wir alle vermissen die D-Mark oder Clara Schumann's DNA Konzert", 05.12.2008
Bioart Performance, 30 minutes
BLAST, Köln, Deutschland

2008-12-07T04:35:00.007+01:00

Marcello Mercado
"Wir alle vermissen die D-Mark oder Clara Schumann's DNA Konzert",05.12.2008
wood, glass,RC helicopter
Bioart Performance, 30 minutes
BLAST, Köln, Deutschland

2008-12-07T04:30:00.006+01:00

Marcello Mercado
"Wir alle vermissen die D-Mark oder Clara Schumann's DNA Konzert",05.12.2008
Transparent plastic and lack
1,40cm x 1,40cm 55.1 inches x 55.1 inches
BLAST, Köln, Deutschland

2008-12-07T04:23:00.004+01:00

Marcello Mercado
"Wir alle vermissen die D-Mark oder Clara Schumann's DNA Konzert", 05.12.2008
Bioart Performance, 30 minutes
BLAST, Köln, Deutschland
(rehearsal)

2008-12-02T02:37:00.003+01:00

Marcello Mercado
"Oohing and Aahing", 2008
Installation/ Mixed Media
Variable dimension

Marcello Mercado
"Today is my social day", 2008
Installation/ Plastic, Lack
Variable dimension
Blast Kunstraum
Köln, Deutschland

Marcello Mercado
"Today is my social day", 2008
Installation/ Plastic, Lack
Variable dimension
Blast Kunstraum
Köln, Deutschland

2008-12-02T02:29:00.004+01:00

Marcello Mercado
„Primordial Capital: Stone-artefacts“,1999-2008
Video Installation, Synchronised two–channel colour video projection with sound
9 minutes loop

2008-12-01T21:53:00.004+01:00

Dossier Videobrasil 2008:
Final destination: microbes

The boundaries of machinic image
Essay by Jorge La Ferla and Anabel Márquez

Works

2008-12-01T01:34:00.003+01:00

Marcello Mercado
"Das Kapital, v.03 und .04", 1999-2008
Video Installation, Synchronised two–channel colour video projection with sound
9 minutes loop

News

2008-11-30T02:02:00.015+01:00

"Wir alle vermissen die D-Mark oder Clara Schumann's DNA Konzert"
Performance von Marcello Mercado

Freitag 5.Dezember 2008
um 20:00 Uhr Willkommen!
um 20:30 Uhr beginnt die Performance

BLAST
Venloer Str. 24
50672 Köln, Deutschland

2008-11-30T01:40:00.005+01:00

Marcello Mercado
"Today is my social day", 2008
Installation/ Mixed Media
42cm x 24cm 16.5in x 9.4in
Blast Kunstraum
Köln, Deutschland

Marcello Mercado
"Today is my social day", 2008
Installation/ Hard Disk and Horns
14cm x 15cm 5.5in x 5.9in
Blast Kunstraum
Köln, Deutschland

Marcello Mercado
"Today is my social day", 2008
Installation/ Wood, Plastic, Oil
Variable dimension
Blast Kunstraum
Köln, Deutschland

2008-11-04T01:33:00.006+01:00

Marcello Mercado
"Today is my social day", 2008
Installation/ Wood, Plastic, Oil
Variable dimension
Blast Kunstraum
Köln, Deutschland

2008-11-04T01:25:00.001+01:00

Marcello Mercado
"Today is my social day", 2008
Installation/ Wood, Plastic, Objects, Concrete, Oil
Variable dimension
Blast Kunstraum
Köln, Deutschland

2008-11-04T01:04:00.012+01:00

Marcello Mercado
"Today is my social day", 2008
Installation/ Wood, Plastic, Oil
Variable dimension
Blast Kunstraum
Köln, Deutschland

News

2008-10-26T20:07:00.005+01:00

bestofbothworlds

Eröffnung am Freitag 31.Oktober, 19-22 h
Ausstellung bis zum 23.November

Opening Friday 31.October, 7-10 pm
Exhibition until 23.November

mit
Marcello Mercado
Wilhelm Neusser
Patrick Rieve

BLAST
Venloer Str. 24
50672 Köln
Deutschland

Sa|So 13–17h

Single-loop

2008-10-25T03:46:00.005+02:00

"Single-loop"
Installation/Marcello Mercado/2008/Plastic, clay/Variable dimension

A hypothetical scenario

2008-10-25T03:33:00.005+02:00

"A hypothetical scenario"
Bio-Installation/Marcello Mercado/2006/
Wood,Voltmeter,DNA/Variable dimension

Im Winde wehen

2008-10-25T03:26:00.003+02:00

„Im Winde wehen“
Installation/Marcello Mercado/2006/Flagge,Glas/Dimension variabel

Scoring

2008-10-25T03:15:00.004+02:00

"Scoring"
Installation/Marcello Mercado/2006/
Darts, Dartboard, Dice, Acryl, Silver tape/Variable dimension

You are beautiful

2008-10-25T02:57:00.004+02:00

“You are beautiful”
Installation/Marcello Mercado/2008/Concrete,kneepad/Variable dimension

Leuchtraketen gegen Leuchtraketen

2008-10-25T02:50:00.004+02:00

"Leuchtraketen gegen Leuchtraketen"
Installation/Marcello Mercado/2008/
Leuchtraketen,Nase aus Gummi/Dimension variabel

Steinartefakten

2008-10-25T02:37:00.006+02:00

"Das Konzept des Phallus in der Bush Ära"
Installation/Marcello mercado/2007/
Steinartefakten/Dimension variabel

2008-10-24T18:34:00.003+02:00

Historia Crítica del Video Argentino
Jorge La Ferla compilador.
Graciela Taquini , Rodrigo Alonso, Ana Claudia García , Anabel Márquez,
Raquel Schefer, Gustavo Galuppo, Eduardo A. Russo , Mariela Cantú,
Adrián Cangi , Sofía Reynal y Mariela Yeregui.
Ed. Fundación Eduardo F. Constantini y Fundación Telefónica
Buenos Aires. Argentina. 2008

2008-07-29T21:08:00.002+02:00

Mediatopia: Border Transmission Project (at ISEA Singapore 2008)
{mashup, remix, transmit}

Input: Browse

#
Marcello Mercado
Germany
FFFF FFFS FFSS SSSS The pluripotent
Marcello Mercado
07/29/2008 - 11:11
Transmission
Transmission
#
Marcello Mercado
Germany
Series of Periodical Bilinear Surfaces
Marcello Mercado
07/29/2008 - 10:47
Technology
Technology
#
Marcello Mercado
Germany
„Series of Periodical Bilinear Surfaces“
Marcello Mercado
07/29/2008 - 10:42
#
Marcello Mercado
Germany
„The Chemical and Physical Perception, in the Eye of the Cat, in the moment of the cut „
Marcello Mercado
07/29/2008 - 10:42
#
Marcello Mercado
Germany
“Das Kapital version.07"
Marcello Mercado
07/29/2008 - 10:42
#
Marcello Mercado
Germany
"“Das Kapital version.01"
Marcello Mercado
07/29/2008 - 10:42
#
Marcello Mercado
Germany
Gedesby
Marcello Mercado
07/29/2008 - 10:13
Borders

2008-07-19T03:31:00.001+02:00

Laisle Travelling

Alexandra Dementieva, Alexandre Milagres, Andres Senra, Bart Van Dijck, Daniel Saraiva, Dellani Lima e Rodrigo Lacerda Jr, Erika Fraenkel, Joacélio Batista, Leonardo Galvão, Marcello Mercado, Marcos Bastos, Mihai Grecu, mm não é confete, Nelton Peines, Ozuland e Pascal Lièvre e Benny Nemerofsky Ramsay

lançamento_ 19/07/2008, sábado, 14h30-17h
exposição_ 19/07/2008 a 19/07/2008

Laisle Travelling é um evento onde nós estaremos apresentando boa parte do que entendemos ser uma interessante representação da produção de vídeo arte contemporânea Brasileira e internacional. Esta exibição foca em diferentes aspectos da produção contemporânea.Esta exibição tenta focar nos diferentes aspectos da arte contemporânea, principalmente político, processos de comunicação e pesquisa em termos técnicos e estéticos.

segmento_ vídeo

local_
Universidade de Waseda - B1F Muti-use hall
Nishi Waseda 1-7-14-4F Okuma Memorial Tower - Shinjuku-ku
Shinjuku / Tóquio / Japão
intl-ac@list.waseda.jp
www.waseda.jp

2008-07-01T18:13:00.002+02:00

New Acquisitions in History of Art
UC Berkeley Library

Video argentino : ensayos sobre cuatro autores:
Carlos Trilnick, Aretproteico, Marcello Mercado, Ivan Marino
#1. ed.Buenos Aires : Nueva Libreria, 2007.
Main Stack N6635.65.V53V53 2007

2008-06-19T20:35:00.002+02:00

Sydney Film Festival
Dendy Opera Quays
19.06.08
Introduced by Solange Farkas , Director Videobrasil and MAM. Presented with Sydney Film Festival and The Brasilian Consulate with support from the Australian Film Commission.

VIDEOBRASIL JURY SELECTION

Investigative depth and apprehensions concerning contemporary society mark the prizewinning works at the 16th International Electronic Art Festival SESC_Videobrasil. The jury was composed of David Cranswick (Australia), director of d/Lux/MediaArts in Sydney; Jean-Paul Fargier (France), cinema critic and lecturer; Martin Mhando (Tanzania), filmmaker, curator, and academic; Berta Sichel (Brazil), director of the Audiovisual Department of the Museo Nacional Centro de Arte Reina Sofía in Madrid; and Daniela Bousso (Brazil), director of Paço das Artes and Museu da Imagem e do Som, São Paulo. In addition to the prize-winning works on this programme, awards were also conferred for the loops As mãos do Epô (Ayrson Heráclito, Brazil-BA) and Jerk off 2 - Projeto dízima periódica (Alice Miceli, Brazil-RJ).
The video The Chemical and Physical Perception, in the Eye of the Cat, in the Moment of the Cut (Marcello Mercado, Argentina) received honorable mention.

2008-04-25T20:19:00.002+02:00

4a Edicao da Sao Paulo Arte, Feira Internacional de Arte de São Paulo.
24-27.04.2008
Pavilhão da Bienal do Parque do Ibirapuera
Sao Paulo, Brasil

Ciclo de Palestras e Videobrasil 1983-2007 - Retrospectiva
Premiados | Programação {pdf)

25 de abril (sexta-feira)
Duelo dos Deuses – Pedro Vieira
E o Zé Reinaldo, Continua Nadando? Adriano Goldman e Hugo Prata
Poesia é Uma das Linhas e Por trás Uma Imensa Paisagem – João Moreira Salles
Techno/Dumb/Show – Jonh Gillies
Janaúba – Eder Santos
Ogodô Ano 2000 – Marcondes Dourado
The Warm Place – Marcello Mercado

2008-04-07T23:06:00.004+02:00

Ciclo de Video Arte
Auditorio de la Alianza Francesa de Buenos Aires
Córdoba 936
Buenos Aires, Argentina
07.04.2008 19hs
Coordinación: Victoria Sacco

Gustavo Caprín,
Sebastián Díaz Morales,
Marula di Como,
Iván Marino,
Marcello Mercado,
Andrea Nacach
Miguel Rothschild

El Museo de Arte Moderno inaugura el año 2008 con una selección de obras recientes e inéditas
de talentosos artistas argentinos, que residen actualmente en el exterior. El Museo cumple así con el
objetivo de difundir el Video Arte argentino, acercando la obra de estos artistas a su país natal.

2008-02-16T21:03:00.001+01:00

"El cine después del cine"
by Jorge La Ferla
16.02.2008
Suplemento Adncultura diario La Nación, Buenos Aires, Argentina.(spanish)

De la pantalla grande a las películas on-line, aranceladas y "a la carta", una revolución tecnológica irreversible está modificando el modo de producir y de mirar obras audiovisuales. La muerte del celuloide y el fugaz apogeo de los soportes digitales alumbran una nueva era para una forma de expresión artística emblemática del siglo XX

2008-01-31T20:06:00.004+01:00

Transmediale. Conspire...
Series of Periodical Bilinear Surfaces
Marcello Mercado [de/it],
see as well: [CP_03] Sudden Intervention: Thursday 31/1, 13:00
Several procedures of converting and compressing seem to allow an insight in the chaotic worlds of data-processing.
"Meanwhile I was 'all ears'. I could hear the Modelling of Genetically Engineered Microorganisms; The corporation´s internal memos; The wiretappings; The variations in sunlight intensity; The soft code procedures; The normal 3D Pamphlet; The apparatuses patriotics and paranoids." (Mercado)

2008-01-30T18:34:00.000+01:00

"Dezimalwaage"
Lack, Druck, Folie, Bleistift auf Papier/ 2005/ Marcello Mercado / Germany

2008-01-30T18:00:00.000+01:00

Wiederholungsreise
Installation / 2005/ Marcello Mercado /Germany

2008-01-29T22:13:00.000+01:00

"Eine Gefahre für sich selbst"
Wasserfarben auf Papier / 2006 / Marcello Mercado / Denmark

“Interpretation is the revenge of the intellect upon art.”
Susan Sontag

"There are no facts, only interpretations."
Nietzsche

"Alles Nahe werde fern" (everything near becomes distant) Goethe

2008-01-29T21:20:00.000+01:00

HOLMM8
Lack, Öl auf Papier / 2006 / Marcello Mercado / Germany

2008-01-29T17:58:00.000+01:00

"Das Hauptziel" serie
2007/ Marcello Mercado /Germany

2008-01-29T17:44:00.000+01:00

"Das Hauptziel" serie
2007/ Marcello Mercado /Germany

2008-01-29T17:28:00.000+01:00

"Das Hauptziel" serie
2007/ Marcello Mercado /Germany

2008-01-28T21:11:00.000+01:00

Z:A
Lack, Öl auf Papier / 2007 / Marcello Mercado / Germany

Marcello Mercado

Hibridez y creación: Cine/ Video/ Digital

Live streamings from Dolmens

Antenne aus dem Hause Goethe Series 11

laboratory art beijing | 北京艺术实验室

Issuu: 40 Years of Video Art: Record>Again

http://issuu.com/bjartlab/docs/video40

40jahrevideokunst.de - Teil 2

Forum: „Record again!“ 40 Jahre Videokunst II: Beijing Rundschau, 04-05-2011

New Automata

Ooops! Enter text - Videoart

17th International Contemporary Art Festival SESC_Videobrasil

An Interview to Marcello Mercado by Gizem Karalar

Filme, Video e Arte: Compartilhando Experiências

Videoakt. International Videoart Biennial

Low Lives 3 International Festival of Live Networked Performances

Festival Internacional de la Imagen

40jahrevideokunst.de - Teil 2

12.-30.04.11,

RECORD AGAIN - 40 Jahre Videokunst in Deutschland

RECORD AGAIN - 40 Jahre Videokunst in Deutschland In Toulouse im Rahmen der Rencontres Traverse Vidéo und im Centre d’Art le Lait, Albi

Die Ausstellung wird vom 16. März bis 29. Mai 2011 im Centre d’Art le Lait in Albi gezeigt.

Die im Goethe-Institut präsentierten Werke sind:

Digital Art Center Taipei

Regeneration.011

Finissage der Ausstellung "Mapping" in der [galerie.bruehl]

Finissage der Ausstellung "Mapping" in der [galerie.bruehl]

Neue Projekte von Marcello Mercado

Samstag, den 12. Januar 2011 19:00 h

Marcello Mercado wird an diesem Abend neue Werke und sein aktuelles Buchprojekt präsentieren.

Roboter malen mit

MARCELLO MERCADO (m)2 MAPPING

MARCELLO MERCADO (m)2MAPPING

16-01-2011 bis 12-02-2011

Vernissage: Sonntag, 16-01-2011, 15:00 h

Goethe-Institut Bulgarien

Goethe-Institut Ankara

The Routledge Companion to Research in the Arts

Record again : 40 Jahre Videokunst.de Teil 2

transferring, storing, sharing and hybriding: The perfect humus

The chemical and Physical perception, in the eye of the cat, in the moment of the cut

Die Konstruktion genetischer Chromosomenkarten

Captured Sequences

38% and Simulations

Re-routing Bio-pockets

Supermassive

Acupuncture

Making consistent volatile ideas by broadcasting bio-information through plants..

Das Kapital - Capital

Biorealismus

Primordial Hunters

Primordial Soup

The Silence

The on-coming water

Discussing with you some very important scientific newspaper of the day

RECORD > AGAIN! 40 JAHREVIDEOKUNST.DE – PART 2

RECORD>AGAIN! 40jahrevideokunst.de - Teil 2

RECORD>AGAIN! 40jahrevideokunst.de - Teil 2

Das Kapital

We all miss the D-Mark or Clara Schumann´s DNA-Concert

News

News

Single-loop

A hypothetical scenario

Im Winde wehen

Scoring

You are beautiful

Leuchtraketen gegen Leuchtraketen

Steinartefakten

MARCELLO MERCADO (m)2
MAPPING