32.difficult to detect irregularities

Netart Project 2007 by Marcello Mercado

Explorer 5 or + Flash plug-in 7 or +

Software: Javascript, Flash

(the user must play a lot with the browser)

"How does the Inconsistence work, practically?"

Netart Project 2007 by Marcello Mercado

Explorer 5 or + Flash plug-in 7 or +

Software: Javascript, Flash

(the user must play a lot with the browser)



6497641 acaatgttta atgcactttt aaagccacat gcgttgtttt

6497701 gaaatttctc attagtcgct gtctaacacg gcacttctgt

6497761 cactttttta ctgaggtagg ggaagtctac cagcctgttg

6500101 acggtacggc tgcccgtcaa cgcttccctc gcaacgctcgg

6500161 agcggtaggt tgcagggtgg acccaaggac ggtgggagg

6500221 tgctctccct ctcttttttc tacaccccac aaaccaagcgcg

a fit embodiment of abstract

a creation out of nothing

Series of periods of moderate activity

purpose of expanding

purpose of expanding

purpose of expanding

"Inconsistent,
Exceeded,
Broken,
Right to left, right to left to the abstraction"

Javascript project that dialogues with:
a) web.01
b) an hybrid of web.01 and web.02 and
c) web.02

Javascript project that dialogues with inconsistence, with a kind of broken abstract paintings, with logins and passwords that nobody asks, with information with no help center, no site use agreement to read, the project is empty but you can add a synopsis.

Is that correct? Anyway I need inconsistence in this context
I am not in a position to post consistence-consistence, well...
The preceding unsigned javascript comment was by me (a kind of File Under Review or like a requested page that could not be displayed, or...)

Dialogues-Examples with plusses and minuses + plusses and minuses:

Dialogue 1:

-Error establishing a database connection!
-Are you sure there is a valid database connection?
- Are you sure that you have typed the correct hostname?
- Are you sure you have the correct user/password?

Dialogue 2:

-MrX, Error executing error template.
-Are you sure that the database server is running?
- Warning: mysql_errno(): supplied argument is not a valid MySQL-Link resource in /wwwwwwwwwwwwwww
- Are you sure it exists?

Dialogue 3:

-Please: Rate this folder:
Loved it!
Cool
Bizarre
Boring
Rated by 0 people

- The requested 0people.pdf was not found on this server.
- please use the standard phrase...
- Pleasure to talk to you. Thank you
- Hello Mr X.
- Our internal reference code for your message is...
- We are really sorry, but something went wrong while handling your request..
- are you...? Please your Image....

In what type of dwelling do you live?
[Select]Condo (own)Condo (lease)ApartmentHome (rent)Home (own)Home (lease)DormOther

What is your age range?
[Select]13 - 1718 - 2425 - 3435 - 4445 - 5455 - 6465 or
overRather not say

What is your political preference?
[Select]DemocratRepublicanIndependentSocialistCommunist
LibertarianUndecidedRather not say

What is your primary language?
[Select]EnglishArabicChineseCroatianCzechDanishDutchFarsi(Persian)
FinnishFrenchGermanGujaratiHebrewHindiHungarianIndonesianItalian
JapaneseKoreanNorwegianPolishPortuguesePunjabiRussian
SerbianSpanishSwedishThaiVietnameseOther

Built by strata in segmentary systems.

What is your ethnic background?
[Select]CaucasianAfrican AmericanHispanicAsianAmerican IndianOtherRather not say

Vectors -> AGREE – ENTER - DECLINE – LEAVE

What is your household income?
[Select]Under $20,000$20,000 to $29,999$30,000 to $39,999$
40,000 to $49,999$50,000 to $74,999$75,000 to $99,999Over $100,000


Click OK.
Click OK.
DocumentSummaryInformation


quiero suponer que te vas a ir con R. a Riga.
quiero que me digas que te vas a ir con R. a Riga.
te vas a ir con R. a Riga?
hay algun motivo real que impida que te vayas con R. a Riga?
si lo hay, lo entendere.
si no, te mato. 1999

- No better, no worse...
- go ahead R.

Foreign currency translation adjustment
He minds nothing. ;)
His company sells 80% of all processors.
Used in PC and some supercomputers from IBM
Hmm. 4 times of Television resolution still not enough for the details?
Hmmmm..maybe you make a small one, that fits on the page and with areas that link to detailshoots?
Yes.
That could be a try. The image has link areas that lead to a page
that shows this area in very big. 2000

Stimme - Melodie des einsamen Kaisers.
Monodrama in einem Akt.
The Doctrinal no-voice.
Pattern alimenticio and the upper limit of
a sigmoid curve
Cortically - disjointed language.
kontrolliet u. repariert.
Pavonearse con el Pavo Real.
and 3 mm of fetal bovine Serum.
Warum sagst du ni was?
Watch your mouth!
Waiter service:
5.30pm-11pm Tuesday to Saturday
5.30-10pm on Sunday
5.30-10.30pm on Monday
Grands effets, petites causes.
La gravité de la crise.
La Terreur n'est pas nécessaire.
The dendritic arborisation of the neo-cortex.
A little collection of mostly illegal concepts.
- Hehe, I am prolly making an idiot out of myself, but I am having fun!
- Fun! Fun! Fun!

Art and Artists

Claude Monet. (French, 1840-1926.
Reflections of Clouds on the Water-Lily Pond. c. 1920.
Oil on canvas, three panels, Each 6' 6 3/4" x 13' 11 1/4" (200 x 424.8 cm), overall 6' 6 3/4" x 41' 10 3/8" (200 x 1276 cm)

Paul Cézanne. (French, 1839-1906).
Still Life with Fruit Dish. 1879-80.
Oil on canvas, 18 1/4 x 21 1/2" (46.4 x 54.6 cm)

Odilon Redon. (French, 1840-1916).
Landscape at Daybreak. 1872.
Oil on canvas, 15 1/8 x 21 3/4" (38.4 x 55.3 cm)



Hans Haacke, news, 1969

Hans Haacke

Georg Baselitz

Stanley Brouwn

Lygia Clark 1

Hélio Oiticica

Krzysztof Wodiczko





Claude Monet, Seerosen (Nymphéas), 1915/17

Munch, Vier Mädchen auf der Brücke, 1905

Vincent van Gogh, Die Zugbrücke, 1888

Gustave Courbet, Meeresstrand, 1865

Rembrandt, Selbstbildnis, nach 1665

Paul Baum, Sommer in Flandern,1892

Caspar David Friedrich, Flussufer im Nebel, 1820/25

("Close your bodily eye, so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards. A picture must not be invented but felt. Observe the form exactly, both the smallest and the large and do not separate the small from the large, but rather the trivial from the important.")

"From my rotting body, flowers shall grow and I am in them and that is eternity."
"Aus meinem verwesenden Körper sollen Blumen wachsen, und ich bin in ihnen und das ist Ewigkeit."

"One night I was walking along a lane, on one side stood the town and underneath the Fjord, I was tired and sick. I stopped to look beyond the fjord — the sun was getting down — the clouds were tinged with a blood-red, I heard a cry to cross Nature: I almost thought of hearing it. I painted this picture, I painted the clouds like true blood. Colours were crying"

"Für einen Künstler ist es vor allem gefährlich, gelobt zu werden."
Edvard Munch (1863-1944)


Das große Rasenstück (Wien), 1503 Albrecht Dürer

Melencolia I, Kupferstich (1514) Albrecht Dürer

Feldhase 1502 Albrecht Dürer


__________________________________________________________________



Artists links:

Tilman Peschel
Tamara Lorenz
Ivan Marino
johngillies
Marcia Vaitsman
Mihai Grecu
Laboratorio Symbolon
Andreas Walther
Herwig Weiser
Gustavo Caprin
Marcelo Santorelli
Patrick Holbrook
Net.art connexion
Netart2
Panix
Social Fiction Links


__________________________________________________________________

Art Links


Guggenheim Collection

MoMa Collection

Wallraf-Richartz-Museum & Fondation Corboud

The Saatchi Gallery

Agora Gallery

Marcello Mercado,
"MM: For instance... too close to what?...", 2006
Performance, DVD 15minutes loop
2006

Series: Scanners: The 2006 New York Video Festival Film Society of Lincoln Center Walter Reade Theater

Series: Scanners: The 2006 New York Video Festival Film Society of Lincoln Center Walter reade Theater

http://filmlinccom.siteprotect.net/wrt/onsale06/scanners06.html

New York Video Festival
Scanners: The 2006 New York Video Festival
Film Society of Lincoln Center
26 July 2006 - 30 July 2006
"Regulating the Watch" Marcello Mercado Germany/Argentina, 2005; 7m

Michelle Handelman
Jordan Crandall
Marcello Mercado
Seoungho Cho
Tamy Ben-Tor
R. Luke duBois
Lev Manovich
George Kuchar
David Robbins
Donigan Cumming
Julia Heyward
Luke Lamborn
Diane Nerwen
Type A
Tessa Knapp
Daniel Burkhardt
Alina & Jeff Bliumis
Kristin Lucas
Shannon Plumb
Charles Atlas
Janene Higgins
Jose Rodriguez
Tom Kalin
Yuk-Yiu
Martha Colburn
Toni Dove
John Canemaker
Hype Williams
Chris Peck
Almagul Menlibayeva

"Series of Periodical Bilinear Surfaces"
Videoart 6´31” PAL color 4:3 stereo 2006 Germany
Soft : Discreet Logic , 16mm Marcello Mercado


Ich habe Animationen in DigitalBeta Format produziert, habe dann, mit XYZmpeg software, dieses Video in mpeg2 komprimiert, danach in eine DVD gebrannt. Dann habe ich meine eigene DVD “ripped” und die neue mpeg2 “resized” und “recompressed” in QuickTime (mov), dann wieder in mpeg2 komprimiert, und die gesamte Prozedur drei mal wiederholt.

Inzwischen war Ich ganz Ohr. Ich konnte die Modellierung der gentechnisch erzeugten Mikroorganismen hören; die firmeninternen Memos; die Telekommunikationsüberwachungen; die Schwankungen der Sonnenlichtintensität; die Prozeduren der Software Kodifizierung; das normale 3D Pamphlet; die patriotischen und paranoiden Apparate… Ich bin anonym geblieben auf den verschiedenen Ebenen der Zugänge.

Und Ich dachte mit einer Art von säugetierhafter Wahrnehmung und mathematischer Logik : "Mach weiter! : 1. Benutze “Custom settings und Custom styles” 2. Bitte benutze standarisierte Sätze 3. Bitte vergiss nicht die Fingerabdrücke, den Handfläschenabdruck und die Chromosomen!!!

English:

I have produced animations in Digital Beta, then I have used XYZmpeg software to convert the video from Digital Beta to mpeg2 format. After that I burned a DVD. Then I have ripped my own DVD and I have resized / recompressed the mpeg2 to QuickTime (mov) and from QuickTime (mov) to mpeg2 format again. This procedure I repited three times.

(Yes, I have modified /excerpt some sections of the DVD)

Meanwhile I was “all ears”. I could hear the Modelling of Genetically Engineered Microorganisms; The corporation´s internal memos; The wiretappings; The variations in sunlight intensity; The soft code procedures; The normal 3D Pamphlet; The apparatuses patriotics and paranoids... I have remained anonymous in multiple levels of access.

And I thought with a kind of mammal perception plus mathematical logic: -" Go ahead!, 1. For settings, use Custom settings and Custom styles ; 2. Please use the standard phrases; and 3. Don´t forget the Finger-prints, palms-traces and chromosomes!!!

Laisle Index Generator

Curadoria de Erika Fraenkel e Carlo Sansolo
23.04 - 23.05 2006

Andrés Senra, Babel, Carlo Sansolo, Erika Fraenkel, Jean Gabriel Periot, Katsuyuki Hattori, Marcello Mercado, Masayuki Kawai, Nesrine Kohdr, Rachel Castro, Sagi Groner

Museu Murillo La Greca
Rua Leonardo Bezerra Cavalcanti 366,
Parnamirim, Recife - PE
Brasil

Georges Abstraction
Centre Pompidou. Paris, France
Bureau des Videos (pdf)
Du 16 au 31 Mai 2006
Marcello Mercado
“Series of Periodical Bilinear Surfaces”, 2006, 27 min. 16 sec.
Courtesy Del’Artiste
Né en Argentine en 1963, vit et et travaille à Cologne

Jorge La Ferla
"L´oeuvre de Marcello Mercado explore en profondeur les
sources technologiques dont elle tire son origine. Cette
“broderie” conçue à l’aide d’appareils audiovisuels
a donné à Marcello Mercado la possibilité de forger
ses propres incises technographiques à partir de l’utilisation
du cinéma, de la vidéo et du numérique. En s´appropriant
différentes technologies, il amoindrit l’inévitable déter-
minisme imposé par la technique. (...)
Dans ses vidéos, l’essentiel des manipulations numériques
interminables repose sur le fait que, dans une perspective
intransigeante et expérimentale, seul un long processus
de manipulation digitale détermine la forme finale de
l´oeuvre, qui n´est jamais définitive pour Mercado. De là
naît un nouveau processus d´écriture avec des machines
numériques, sans montage ni production. (...) Ce travail
marque le début de la recherche de nouveaux langages,
basés sur des textures purement numériques, ainsi que sur
les façons de mettreen scène les mécanismes rhétoriques
de l´horreur par la manipulation d’images électroniques
non-figuratives."